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Der Braunschweiger Löwe - "Epochale Innovation" oder "Einzigartiges Kunstwerk"? [PDF]
Seiler, Peter
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Typologie, Stilpsychologie, Kunstwollen. Zur Erfindung des ‘Barock’ (1900–1933)
Arcadia, 2006Abstract Scholars have long considered Heinrich Wölfflin a pioneer in ‘Baroque studies’. Surprisingly little attention has been paid, however, to typological patterns and their importance for revising a classic-biased historiography. Reassessing the ‘invention’ of ‘Baroque’ literature and civilization in German literary criticism before,
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Ab Imperio, 2015
SUMMARY: When discussing Bolshevik cultural politics, both scholars and the public today emphasize what the Bolsheviks destroyed. In this essay, however, the focus is on what they “preserved,” and especially how they preserved it, to what purpose, and with what consequences.
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SUMMARY: When discussing Bolshevik cultural politics, both scholars and the public today emphasize what the Bolsheviks destroyed. In this essay, however, the focus is on what they “preserved,” and especially how they preserved it, to what purpose, and with what consequences.
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Transformation of Alois Riegl’s Kunstwollen Concept in Wilhelm Worringer’s Artistic Theory
Art Studies JournalWilhelm Worringer outlined the main theses of his theory in his book “Abstraction and Empathy”. In forming the two poles of his concept - the will to abstraction and the impulse to empathy - Worringer drew on a number of concepts that existed in his time, one of which was Alois Riegl’s Kunstwollen (“artistic volition”).
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The Scientific Treatment of Perception and the Human Nature of the Viewer: Alois Riegl’s Kunstwollen
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2023
La riflessione che segue ha l’obiettivo di mettere in luce e precisare una traiettoria alternativa al sempre più diffuso “processo lineare” che dall’idea giunge alla messa in opera (in architettura e non solo). Cosa intercorre tra l’attimo dell’idea e il tentativo di una sua possibile applicazione progettuale?
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La riflessione che segue ha l’obiettivo di mettere in luce e precisare una traiettoria alternativa al sempre più diffuso “processo lineare” che dall’idea giunge alla messa in opera (in architettura e non solo). Cosa intercorre tra l’attimo dell’idea e il tentativo di una sua possibile applicazione progettuale?
openaire +1 more source

