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Typologie, Stilpsychologie, Kunstwollen. Zur Erfindung des ‘Barock’ (1900–1933)

Arcadia, 2006
Abstract Scholars have long considered Heinrich Wölfflin a pioneer in ‘Baroque studies’. Surprisingly little attention has been paid, however, to typological patterns and their importance for revising a classic-biased historiography. Reassessing the ‘invention’ of ‘Baroque’ literature and civilization in German literary criticism before,
exaly   +2 more sources

Catastrophe, Restoration, and Kunstwollen : Igor Grabar, Cultural Heritage, and Soviet Reuses of the Past

Ab Imperio, 2015
SUMMARY: When discussing Bolshevik cultural politics, both scholars and the public today emphasize what the Bolsheviks destroyed. In this essay, however, the focus is on what they “preserved,” and especially how they preserved it, to what purpose, and with what consequences.
exaly   +2 more sources

Transformation of Alois Riegl’s Kunstwollen Concept in Wilhelm Worringer’s Artistic Theory

Art Studies Journal
Wilhelm Worringer outlined the main theses of his theory in his book “Abstraction and Empathy”. In forming the two poles of his concept - the will to abstraction and the impulse to empathy - Worringer drew on a number of concepts that existed in his time, one of which was Alois Riegl’s Kunstwollen (“artistic volition”).
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Kunstwollen

2023
La riflessione che segue ha l’obiettivo di mettere in luce e precisare una traiettoria alternativa al sempre più diffuso “processo lineare” che dall’idea giunge alla messa in opera (in architettura e non solo). Cosa intercorre tra l’attimo dell’idea e il tentativo di una sua possibile applicazione progettuale?
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