Results 1 to 10 of about 180 (114)

Are there various Riegls? Museo, storia dell’arte e conservazione in Alois Riegl / Are there various Riegls? Museum, art history and conservation in Alois Riegl

Il Capitale Culturale: Studies on the Value of Cultural Heritage, 2013
Alois Riegl (Linz 1858 – Vienna 1905) è noto come uno dei più importanti rappresentanti della cosiddetta Scuola viennese di storia dell’arte.  In questo saggio si presenta lo studioso evidenziando il legame strutturale che collega nella sua vita ...
Susanne Adina Meyer
doaj   +4 more sources

Riegl faz história: o Denkmalkultus visto à luz da historiografia de Alois Riegl

Anais do Museu Paulista: História e Cultura Material, 2022
O livro Der moderne Denkmalkultus, sein Wesen und seine Entsehung (O culto moderno dos monumentos: sua essência e sua gênese), do historiador da arte Alois Riegl (1858-1905), é hoje considerado uma das obras capitais do diálogo que chamamos de Teorias ...
Daniel Juracy Mellado Paz
doaj   +1 more source

Alois Riegl (1858-1905) Le culte moderne de Riegl

Revue Germanique Internationale, 1994
Membre de la première école de Vienne, inspirateur de Walter Benjamin, Alois Riegl a été canonisé par l’histoire de l’art. Pourtant l’auteur de l’Industrie artistique à la fin de l’époque romaine et des Questions de style reste à certains égards très dépendant d’un hégélianisme épigonal.
exaly   +2 more sources

The advantages and disadvantages of Art History to Life: Alois Riegl and historicism

Journal of Art Historiography, 2010
Alois Riegl was one of the seminal art historians of the early twentieth century, but very little is known about his career as adjunct-curator of textiles at the Austrian Museum for Art and Industry.
Diana Reynolds Cordileone
doaj   +2 more sources

Alois Riegl’s Values Theory and Prison Buildings in Turkey

Art-Sanat
In Vienna at the beginning of the 20th century, when different debates on modernity were taking place, the art historian Alois Riegl made an important contribution to conservation studies with his 1903 article “The Cult of the Modern Monument: Its Nature
Bilgen Dündar, Cevriye Seda Alevdağ
doaj   +3 more sources

A autonomia do campo disciplinar do restauro [arquitetônico e urbano]

Oculum Ensaios, 2017
O presente artigo visa compreender o campo do restauro como disciplina autônoma, esse apreendido por meio dos conceitos ditados desde finais do século XIX e início do Século XX, através das formulações de dois grandes protagonistas: Alois Riegl e Cesare
Ana Paula Farah
doaj   +7 more sources

UNINTENTIONAL MONUMENTS, OR THE MATERIALIZING OF AN OPEN PAST

History and Theory, Volume 61, Issue 2, Page 242-268, June 2022., 2022
ABSTRACT This article examines the emergence of a new epistemic value that was attributed to remnants of the past during the broad debate on historical evidence in the late seventeenth and eighteenth centuries: the unintentionality of the testimony.
LISA REGAZZONI
wiley   +1 more source

Influence of “Mingei (Folk Crafts)” on the Creative Theories of Charlotte Perriand

JAPAN ARCHITECTURAL REVIEW, Volume 4, Issue 4, Page 548-555, October 2021., 2021
This paper aims to clarify the influence of ‘Mingei (Folk‐Crafts)’ on the creative theories of French architect and interior designer Charlotte Perriand (1903‐1999) . We trace her experience of ‘Folk‐Crafts’ during her time in Japan, and finally we reconsider an aspect of modern architecture. Abstract This paper aims to clarify the influence of “Mingei
Shoichiro Sendai
wiley   +1 more source

Digital art history in 2021

History Compass, Volume 19, Issue 8, August 2021., 2021
Abstract The past decade has seen tremendous growth and innovation in the use of digital resources, methods, and tools in the history of art and architecture. While digital art history is less developed than text‐based disciplines, the emergence of new digital standards for visual and spatial data, and advances in computer vision are poised to ...
Alexander Brey
wiley   +1 more source

Inside haptic Modernism: Alois Riegl and Anglo-American art criticism and theory [PDF]

Journal of Art Historiography, 2023
Introduced in 1902 in response to a polemical article by Strzygowski, the category of haptic formulated by Alois Riegl enjoyed a remarkable critical fortune, exquisitely interdisciplinary, throughout the 20th century and beyond.
Valentina Bartalesi
doaj   +1 more source