Results 1 to 10 of about 99 (83)
Images Re - Vues, 2012 The concept of Kunstwollen, elaborated by the Austrian art historian Aloïs Riegl in his 1901 book, Late Roman art industry, has been very influent in XXth art theory.
Massimo Carboni
exaly +4 more sources
Sign Systems Studies, 2023 This study explores the art historian Alois Riegl’s heuristic terms ‘Kunstwollen’ and ‘Stimmung’ in the contexts of cognitive and evolutionary aesthetics. To begin with, the author draws on notions of instinct theorized by George Romanes, Charles Darwin
Jui-Pi Chien
doaj +2 more sources
Analysis on Symbolic Meaning and Kunstwollen of Issey Miyake's Art Works [PDF]
Journal of the Korean Society of Clothing and Textiles, 2009 This study is about the analysis on symbolic meaning and kunstwollen of Issey Miyake`s art works which is influenced by various external factors such as social and cultural background, nationality and philosophy. Especially, this research focused on `Pleats Please Issey Miyake` and `A Piece of Cloth` which are the core of his works.
exaly +2 more sources
Über die Frage der Feuergefährlichkeit von Kunstwollen [PDF]
Angewandte Chemie, 1908 n ...
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Kunstwollen: The Transfer and Precarious Survival of an Artistic-Theoretical Concept in Czech Art History of the 20th Century [PDF]
Slovo a Smysl, 2015 The influential art-historical concept of Kunstwollen or ‘will-to-art’, connected first with the socalled Vienna School of Art History, then transferred into Czech art history and therein surviving to this day, was introduced in three art-historical ...
Tomáš Murár
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Alois Riegl’s “Baroque” in the light of selected passages in his unpublished manuscripts [PDF]
Journal of Art Historiography, 2023 This article deals with aspects of Alois Riegl’s investigation of Baroque art in light of selected passages of his still unpublished manuscripts. The analysis of this voluminous corpus, in comparison with Riegl’s posthumous publications on the “origins ...
Eleonora Gaudieri
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Questions de méthodes chez Nikolaus Pevsner et Erwin Panofsky : deux nouvelles monographies
Perspective (France), 2013 Anne Béchard-Léauté
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The Ghost and the Rock: Albert Renger‐Patzsch and the Shape of Time
Art History, Volume 46, Issue 1, Page 124-153, February 2023., 2023 The career of photographer Albert Renger‐Patzsch began in the early 1920s in the storerooms of Germany's ethnographic museums, and ended in 1966 with the publication of his last photobook, Gestein (Rock). His reputation as a leading exponent of Neue Sachlichkeit (New Objectivity) developed in tandem with heated debates over sculptural facsimiles and ...
Megan R. Luke
wiley +1 more source
The archipelago of meaning: Methodological contributions to the study of Vanuatu sand drawing
The Australian Journal of Anthropology, Volume 33, Issue 2, Page 279-327, August 2022., 2022 Abstract Vanuatu sand drawing has been listed by UNESCO since 2006 and has both fascinated and puzzled researchers from various disciplines for over a century. The inherent multi‐dimensionality of the practice makes analysis complex, and until very recently developing a systematic methodology to study this intangible art form was difficult.
Simon Devylder
wiley +1 more source
Aloïs Riegl and the riddle of Rembrandt’s Staalmeesters: Vienna schooling Dutch art scholarship [PDF]
Journal of Art Historiography, 2023 Aloïs Riegl’s elucidations of visual particulars in his Dutch Group Portrait of 1902 are not in contrast to but rather inform his theory of the development of group portraiture.
Benjamin Binstock
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