Results 31 to 40 of about 99 (83)

ESSAY: THE KUNSTWOLLEN OF THE SCIENTIFIC ERA AND ALOIS RIEGL’S STIMMUNG

The Nordic Journal of Aesthetics, 2018
Alois Riegl’s essay “Die Stimmung als Inhalt der modernen Kunst” (1899) has been one of art historiography’s early attempts to bridge art and science. In this text, Riegl not only presents the background of some of his theoretical and methodological premises but he also provides an overarching argument for the way natural sciences ...
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Riegl on the Baroque [PDF]

Journal of Art Historiography, 2012
Alois Riegl´s Die Entstehung der Barockkunst in Rom, published posthumously by Arthur Burda and Max Max Dvořák in 1908, is the last of Riegl´s major works, which was translated into English.
Ute Engel
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EL LUGAR DE UN PREFIJO: EN TORNO AL ESPACIO POSTMODERNO

Daimon, 2001
En torno a la simplificación que liga el término "postmodernidad" con el final histórico, cronológico, de la Modernidad se concitan dos posiciones opuestas: la de quienes (en la estela de Habermas) denuncian el talante conservador y apocalíptico, anti ...
Antonio Tudela Sancho
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Unstable Images: Generative AI and the Liminal Politics of Seeing

Przegląd Kulturoznawczy
This essay explores how generative AI has destabilized the visual image, not only as an object of perception but as a contested site of authorship, ownership, and meaning. In a post-Mitchell landscape
David F. van der Merwe
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Kunstwollen, Zeitgeist e colore in architettura

Il colore è elemento immediatamente qualificante l’architettura che ne veicola l’immagine, altera la percezione, attribuisce nuovi significati. Data l’intrinseca caducità e mutevolezza delle colorazioni, tuttavia, il tema è spesso sfuggente o di difficile indagine, specie con riguardo alle architetture del passato.
Rinaldo D'Alessandro, Antonio Schiavo
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Schraube und Eidos: Versuch eines close reading des Begriffs »Kunstwollen« bei Riegl und Panofsky

Zeitschrift für Kunstgeschichte
Abstract For Alois Riegl, Kunstwollen at its very heart was a sort of impulse stimulating a continuous search for ways of representing the world as better than it actually was.
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Séminaire mensuel du GEMCA - Franciscanism and Art : The Realistic-Creatural Kunstwollen, par Giuseppe Santesarti

A l'occasion du prochain séminaire mensuel du GEMCA, Giuseppe Santesarti donnera une conférence intitulée "Franciscanism and Art : The Realistic-Creatural Kunstwollen" Date : Jeudi 13 mars 2025, de 14h à 16h Lieu : Maison des langues - 104, 1348 Louvain-la-Neuve Informations    
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Der Begriff des Kunstwollens

, 1920
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