Results 31 to 40 of about 2,031 (130)
Journal of Art Historiography, 2011 Review of: Peter Noever, Artur Rosenauer and Georg Vasold, eds, Alois Riegl Revisited. Beiträge zu Werk und Rezeption. Contributions to the Opus and its Reception. Vienna: Österreichische Akademie der Wissenschaften, 2010. Michael S.
Matthew Rampley
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Geografie van de romaanse architectuur
Bulletin KNOB, 1991 The publication of the fourth volume of Romanische Baukunst am Rhein und Maas (Romanesque architecture on Rhine and Meuse) by Hans Erich Kubach and Albert Verbeek invites to a consideration which exceeds review limitations, for this volume is dedicated ...
C. Peeters
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Конфликт объективной действительности и ее субъективного претворения в творчестве художников периодов стилевого слома [PDF]
, 2008 Статья д.иск., проф. Романенковой Ю.В. об эстетике и культуре эпохи стилевого слома, рубыжных эпохах и изменении мировоззренческих установок вэтот ...
Романенкова, Юлія Вікторівна
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‘Ksawery Piwocki and the Vienna and Lvov Schools of Art History’ [PDF]
Journal of Art Historiography, 2013 The scientific work of Ksawery Piwocki (1901-1974), Polish art historian, differed from the work of researchers of his generation in two essential aspects.
Wojciech Bałus
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'Et in Arcadia ego': Panosfski en perspectiva [PDF]
, 2007 En el presente ensayo se analiza la biografía científica del célebre historiador del arte Erwin Panofsky, intentando evaluar su legado a la historia del arte y de la cultura a partir de los comentarios críticos, explícitos o implícitos, que nos ha dejado
Montes-Serrano, C. (Carlos)
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Real Style: Riegl and Early 20th Century Central European Art [PDF]
Journal of Art Historiography, 2011 Originally published in Centropa: Journal of Central European Art and Architecture 5, n. 1 (January 2005): 16-25. Kimberly A. Smith discusses the ways in which the understanding of style was articulated by intellectuals working in the late nineteenth ...
Kimberly A. Smith
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Journal of Art Historiography, 2012 Alois Riegl´s Die Entstehung der Barockkunst in Rom, published posthumously by Arthur Burda and Max Max Dvořák in 1908, is the last of Riegl´s major works, which was translated into English.
Ute Engel
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ESSAY: THE KUNSTWOLLEN OF THE SCIENTIFIC ERA AND ALOIS RIEGL’S STIMMUNG
The Nordic Journal of Aesthetics, 2018 Alois Riegl’s essay “Die Stimmung als Inhalt der modernen Kunst” (1899) has been one of art historiography’s early attempts to bridge art and science. In this text, Riegl not only presents the background of some of his theoretical and methodological premises but he also provides an overarching argument for the way natural sciences ...
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, 2015 1Abstract: L’intenzione dell’opera, Macerata 2009. Il libro ripercorre alcune tappe dell’evoluzione dell’iconologia come scienza dell’arte nel Novecento. L’iconologia rappresenta a mio avviso un approfondimento di grande validità delle condizioni -
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EL LUGAR DE UN PREFIJO: EN TORNO AL ESPACIO POSTMODERNO
Daimon, 2001 En torno a la simplificación que liga el término "postmodernidad" con el final histórico, cronológico, de la Modernidad se concitan dos posiciones opuestas: la de quienes (en la estela de Habermas) denuncian el talante conservador y apocalíptico, anti ...
Antonio Tudela Sancho
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