Results 41 to 50 of about 99 (83)
Pour un usage sociologique de la notion de kunstwollen de Riegl
, 2004 Dans l'introduction de l'enquête sur la réception des œuvres peintes qui fut réalisée au Musée Granet en collaboration avec Emmanuel Pedler, Le temps donné aux tableaux, Jean-Claude Passeron écrivait que les spectateurs produisent " un travail raisonnant, affectif et sensoriel de réception, corollaire du désir intense de formuler du sens ou de faire ...
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Aloïs Riegl, o Barroco e o conceito de kunstwollen: algumas considerações em História da Arte
The Austrian art historian Aloïs Riegl, despite its importance to the Baroque’s research field, remains little known among Brazilian scholars, researchers and students, largely due to the lack of translations of his work for the Portuguese. For Riegl, kunstwollen opens the possibility of formal affinities arise between individuals of the same era ...
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Kunstwollen und Bauwachsen. Zum Mimesiskonzept in Bruno Tauts Architekturphantasien [PDF]
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Chapter about female representations on Colonial Brazil Baroque Art, 16th to 18th century.
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Rationalisation, kunstwollen et moyens techniques de l'expressivité
Revue De Synthese / Centre International De Synthese, 2008Cet article cherche à retracer quelques-uns des éléments à la fois empiriques, historiques et sociologiques de la Sociologie de la musique de Max Weber. Même si ce dernier s'intéresse en premier lieu au processus de rationalisation qui traverse la civilisation occidentale, sa
Leopoldo Waizbort
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Typologie, Stilpsychologie, Kunstwollen. Zur Erfindung des ‘Barock’ (1900–1933)
Arcadia, 2006Abstract Scholars have long considered Heinrich Wölfflin a pioneer in ‘Baroque studies’. Surprisingly little attention has been paid, however, to typological patterns and their importance for revising a classic-biased historiography. Reassessing the ‘invention’ of ‘Baroque’ literature and civilization in German literary criticism before,
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Ab Imperio, 2015
SUMMARY: When discussing Bolshevik cultural politics, both scholars and the public today emphasize what the Bolsheviks destroyed. In this essay, however, the focus is on what they “preserved,” and especially how they preserved it, to what purpose, and with what consequences.
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SUMMARY: When discussing Bolshevik cultural politics, both scholars and the public today emphasize what the Bolsheviks destroyed. In this essay, however, the focus is on what they “preserved,” and especially how they preserved it, to what purpose, and with what consequences.
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