Results 11 to 20 of about 5,511 (165)

Wind and Riegl: the meaning of a [PDF]

Journal of Art Historiography, 2009
This article constitutes a detailed critical reading of Edgar Wind’s early work, focussing, in particular, on his German philosophical writings concerning art, art history and art-historical methodology. Through comparisons with the authors Wind tackled (
Consolato Latella
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Alois Riegl, ‘Lovers of art, ancient and modern’ , Translated with an introduction by Karl Johns [PDF]

Journal of Art Historiography, 2013
This paper was originally given as a lecture to the Wiener Kunstfreunde and posthumously published as ‘Über antike und moderne Kunstfreunde Vortrag gehalten in der Gesellschaft der Wiener Kunstfreunde,’ Kunstgeschichtliches Jahrbuch der K. K.
Alois Riegl, Karl Johns
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The Legacy of Alois Riegl: Material Authenticity of the Monument in the Digital Age

Built Heritage, 2017
The Austrian art historian Alois Riegl (1858–1905) revolutionised the European concept of the monument and paved the way towards the codification of the historicity of artefacts at the international level.
Alexandra Harrer
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Aloïs Riegl and the riddle of Rembrandt’s Staalmeesters: Vienna schooling Dutch art scholarship [PDF]

Journal of Art Historiography, 2023
Aloïs Riegl’s elucidations of visual particulars in his Dutch Group Portrait of 1902 are not in contrast to but rather inform his theory of the development of group portraiture.
Benjamin Binstock
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Valor de antiguidade, conservação e restauro

Pós: Revista do Programa de Pós-Graduação em Arquitetura e Urbanismo da FAUUSP, 2012
A teoria e a prática da conservação de monumentos de Alois Riegl(1858-1905) está articulada ao valor de antiguidade, noçãofundamental da obra Culto moderno dos monumentos (1903).
Mirandulina Maria Moreira Azevedo
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La foire aux valeurs

CeROArt : Conservation, Exposition, Restauration d'Objets d'Art, 2015
The author examines the contemporary use of the term "value", in touch with the heritage, and returns on the theoretical and practical employment by Aloïs Riegl.
Georges Brunel
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” Unframing” Byzantine ivories: painterliness, reliefs, and the place of Byzantine art in early twentieth-century German scholarship [PDF]

Journal of Art Historiography, 2023
This paper scrutinises Adolf Goldschmidt and Kurt Weitzmann’s publication on Byzantine ivories to reveal its entanglement with contemporaneous art theories and art historical discourses.
Elisa Galardi
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Was Alois Riegl Colour Blind?

CLARA, 2022
In his formalist art history, Alois Riegl (1858-1905) focuses on figure and ground, light and dark, and tactile versus optical features. Strangely, he shows little interest in colour. Thus, in Stilfragen (1893) and in Spätrömische Kunstindustrie (1901) artefacts and monuments are discussed as if they were fashioned in black and white.
openaire   +3 more sources

Re-reading Riegl [PDF]

Journal of Art Historiography, 2011
Review of: Peter Noever, Artur Rosenauer and Georg Vasold, eds, Alois Riegl Revisited. Beiträge zu Werk und Rezeption. Contributions to the Opus and its Reception. Vienna: Österreichische Akademie der Wissenschaften, 2010. Michael S.
Matthew Rampley
doaj  

The world of the landscape [PDF]

, 2012
In his article "The World of the Landscape" Bart Verschaffel analyzes the visual logic of the landscape genre in painting, as it was developed from the sixteenth century on.
Verschaffel, Bart
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