Book received: Alois Riegl, The Origins of Baroque Art in Rome, edited and translated by Andrew Hopkins and Arnold Witte, with essays by Alina Payne, Arnold Witte, and Andrew Hopkins; Los Angeles: Getty Research Institute including contents, acknowledgments and a note on the translation. [PDF]
Journal of Art Historiography, 2010 Alois Riegl, The Origins of Baroque Art in Rome, edited and translated by Andrew Hopkins and Arnold Witte, with essays by Alina Payne, Arnold Witte, and Andrew Hopkins; Los Angeles: Getty Research Institute including contents, acknowledgments and a note ...
Alois Riegl
doaj
, 2015 One of the most influential ideas of twentieth-century art history and aesthetics is that vision has a history and it is the task of art history to trace how vision has changed.
Nanay, Bence
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Images Re-Vues, 2012 The concept of Kunstwollen, elaborated by the Austrian art historian Aloïs Riegl in his 1901 book, Late Roman art industry, has been very influent in XXth art theory.
Massimo Carboni
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A História da Arte Diante da Imagem
Convergências - Revista de Investigação e Ensino das Artes, 2022 As presentes páginas têm como intento tecer considerações sobre a história da história da arte. Para alcançar o almejado objetivo, partiu-se dos primeiros textos escritos na Antiguidade. Em seguida, abordou-se os tratados de pintura redigidos a partir do
Daniela Queiroz Campos
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‘A monumental step for Riegl and Schlosser in France’: Alois Riegl, Christopher S. Wood, Emmanuel Alloa, L’industrie d’art romaine tardive, trans. Marielène Weber, Sophie Yersin Legrand, Paris: Éditions Macula 2014 and Patricia Falguières, Les Cabinets d’art et de merveilles de la Renaissance tardive: Une contribution à l’histoire du collectionnisme, Paris: Éditions Macula 2012 [PDF]
Journal of Art Historiography, 2014 Two books are reviewed here: a French translation of Alois Riegl’s Spätrömische Kunstindustrie (1901) and Julius von Schlosser’s Kunst- und Wunderkammern der Spätrenaissance (1908). The first is supplemented by an introduction by Christopher S Wood and a
Karl Johns
doaj
O Livro Raro e Antigo como Patrimônio Bibliográfico: Aportes Históricos e Interdisciplinares [PDF]
, 2015 The term patrimony has multiple meanings, as found in various fields of knowledge. This research discusses the birth of the idea of heritage in the modern era (implemented and solidified in the contemporary age), and its development as applied ...
Gauz, Valeria
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Revista Visuais, 2017 Este artigo busca explorar a perspectiva de uma Historiografia Comparada da Arte, analisando as abordagens de dois importantes historiadores da Arte: Alois Riegl (1858-1905) e Heinrich Wölfflin (1864-1945).
José D'Assunção Barros
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The Sociality of Form: Camillo Sitte's Urban Morphologies
The German Quarterly, Volume 97, Issue 4, Page 490-505, Fall 2024.Abstract This article examines a text by a lesser‐known figure of fin‐de‐siècle Vienna, Camillo Sitte's Der Städtebau nach seinen künstlerischen Grundsätzen (1889), tracing the relationship between urban form and social structure in Sitte's treatise. It identifies the key points of this relationship in terms of causality: the form of public spaces can ...
Margareta Ingrid Christian
wiley +1 more source
Journal of Art Historiography, 2012 Alois Riegl´s Die Entstehung der Barockkunst in Rom, published posthumously by Arthur Burda and Max Max Dvořák in 1908, is the last of Riegl´s major works, which was translated into English.
Ute Engel
doaj
Perception of Surroundings: Materiality and Affect in the Russian Kustar Arts Revival
The Russian Review, Volume 83, Issue 3, Page 362-377, July 2024.Abstract Abramtsevo and Talashkino are well known for their handicraft workshops that participated in the revival of Russian folk arts known as kustarnichestvo at the turn of the last century. Typically examined in terms of its stylistic progenitors or as a manifestation of Russia’s nationalist politics, kustarnichestvo can also offer unique insights ...
Colleen McQuillen
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