Results 31 to 40 of about 180 (114)

Alois Riegl, ‘Lovers of art, ancient and modern’ , Translated with an introduction by Karl Johns [PDF]

open access: yesJournal of Art Historiography, 2013
This paper was originally given as a lecture to the Wiener Kunstfreunde and posthumously published as ‘Über antike und moderne Kunstfreunde Vortrag gehalten in der Gesellschaft der Wiener Kunstfreunde,’ Kunstgeschichtliches Jahrbuch der K. K.
Alois Riegl, Karl Johns
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Recuperación y restauración del teatro barroco Castillo de Cesky Krumlov (República Checa)

open access: yesLoggia, Arquitectura & Restauración, 2002
La sólida tradición en la protección y conservación de monumentos de Bohemia que se remonta al magisterio ejercido por Aloïs Riegl y Max Dvorak sigue viva y encuentra un magnífico ejemplo en esta ocasión.
Vaclav Hirsa, Miloslav Hanz
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The Optical House of Tactile: The Bricolage-Like Response to COVID-19

open access: yesAisthesis, 2021
This paper aims to analyse how COVID-19 pandemic is changing our perception of reality. It starts looking at our situation from the point of view of Riegl’s distinction between optical and tactile, and then it compares the nature of the relationship ...
Marco Innocenti
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‘The rigorous and the vague: aesthetics and art history in Riegl, Wölfflin and Worringer’ [PDF]

open access: yesJournal of Art Historiography, 2013
The paper approaches the art theory of Aloïs Riegl, Heinrich Wölfflin and Wilhelm Worringer from two perspectives. Firstly, the paper integrates the conception of the image of these three art historians into the phenomenological tradition as founded by ...
Vlad Ionescu
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He Was Like the Prophet… A lecture read by Oleg Yavein, professor of MARCHI, in Yekaterinburg on April 14, 2016

open access: yesПроект Байкал, 2016
The article tells about Ludwig Mies van der Rohe, who said a prophetic word in architecture of the 20th century, and analyses the sources of his creativity.
Oleg Yavein, Elena Bagina
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0256 Moderner Inhalt in manieristischer Form. Max Dvořák unter dem Einfluss Georg Simmels

open access: yesRIHA Journal, 2021
The article deals with the influence of Berlin philosopher Georg Simmel on Viennese art historian Max Dvořák. Dvořák as a successor of Alois Riegl and Franz Wickhoff at the art history department of the University of Vienna is considered the promoter of ...
Tomáš Murár
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Baroque Art in Croatia and the Vienna School of Art History [PDF]

open access: yesJournal of Art Historiography, 2019
Art History in Croatia developed under influence of Vienna School of Art History. The ideas of ​​Viennese art history were integrated in all fields of art history, but research of art of the Baroque period was especially close to contemporary development
Dubravka Botica
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El artista fantasma y la máquina mitológica

open access: yesBoletim de Pesquisa NELIC, 2009
Todos recordamos la asociación que hace Benjamin entre la ficción de Kafka y el mundo primordial de las hetairas. Las fuentes para esas consideraciones benjaminianas respecto de la proto-historia remontan a los estudios de uno de los participantes en el
Raúl Antelo
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Riegl, Strzygowski and the development of art [PDF]

open access: yesJournal of Art Historiography, 2011
Originally published in Towards a Science of Art History: J. J. Tikkanen and Art Historical Scholarship in Europe, Helsinki: Society of Art History, 2009.The lifelong rivalry between Alois Riegl and Josef Strzygowski, both prominent members of the Vienna
Georg Vasold
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Hermann Usener y el arte de la denominación en Walter Benjamin

open access: yesFilosofia Unisinos, 2011
En El origen del drama barroco alemán Walter Benjamin se refiere explícitamente en tres oportunidades a la obra del filólogo de las religiones Hermann Usener (1834-1905) titulada Los nombres de los dioses. Sin embargo, la influencia de esta última puede
Ignacio Uribe
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