Results 51 to 60 of about 180 (114)

‘Alois Riegl and the Maori’: Alois Riegl ‘Ornament from New Zealand’, originally published as ‘Neuseeländische Ornamentik’, Mitteilungen der Anthropologischen Gesellschaft in Wien, vol. 20, new ser, vol, 10, 1890, 84-87. [PDF]

Journal of Art Historiography, 2015
Riegl’s lecture about Maori ornament was held before the Anthropological Society in Vienna in 1890 and anticipates much of what he then said in his Stilfragen.
Karl Johns
doaj  

De l’effet de sidération et de peur dans les autoportraits d’Andy Warhol

E-REA, 2011
The following article analyses the way fear and shock appear in Andy Warhol’s last self portraits, produced in 1986, through the mechanisms that oppose and accompany it.
Marie CORDIÉ-LEVY
doaj   +1 more source

Protecting antiquities in early modern Rome: the papal edicts as paradigms for the heritage safeguard in Europe. [PDF]

Open Res Eur, 2021
Mannoni C.
europepmc   +1 more source

“Bildtapeten” and the conservation of medieval wall paintings at the turn of the twentieth century in Germany

CeROArt : Conservation, Exposition, Restauration d'Objets d'Art, 2013
In the last decades of the nineteenth Century, a paradigm change in the preservation of medieval wall painting conservation took place. Restoration as equivalent of repainting was definitely refused.
Ursula Schädler-Saub
doaj   +1 more source

New Religion: Wang Guangyi, Apelles’ Line, And Political Theology

Rivista di Estetica
As Warhol appropriated posters and prints already ‘ready-made’, Wang Guangyi ‘covers’ Andy Warhol. This essay discusses Warhol and death (Marilyn Monroe, James Dean), mirroring artist and viewer, along with a discussion of Arthur Danto on Warhol and on ...
Babette Babich
doaj   +1 more source

Countenances of the deepest attentiveness: the historical reputation of Jan van Scorel’s portraits [PDF]

Journal of Art Historiography, 2017
This study examines portraits produced by the Netherlandish artist Jan van Scorel (1495-1562) and the pictorial, aesthetic and cultural sources from which they both emerged and departed.
Albert Godycki
doaj  

‘Hans Tietze and art history as Geisteswissenschaft in early twentieth-century Vienna’ translated by Clarice Zdanski with an introduction by Riccardo Marchi, originally published as Riccardo Marchi, ‘Hans Tietze e la storia dell’arte come scienza dello spirito nella Vienna del primo Novecento’, Arte Lombarda, 110/111, 1994, 55–66 [PDF]

Journal of Art Historiography, 2011
This article analyzes the Methode der Kunstgeschichte, published in 1913 by Hans Tietze (1880-1954), an important but often neglected figure of the Vienna school of art history, who had been a student of Franz Wickhoff and Aloïs Riegl and was one of ...
Riccardo Marchi
doaj  

An objective evaluation of the beholder's response to abstract and figurative art based on construal level theory. [PDF]

Proc Natl Acad Sci U S A, 2020
Durkin C, Hartnett E, Shohamy D, Kandel ER.   +3 more
europepmc   +1 more source

Eye Tracking and Visual Arts. Introduction to the Special Thematic Issue. [PDF]

J Eye Mov Res, 2020
Rosenberg R, Groner R.
europepmc   +1 more source

Riegl, Alois

, 2011
(1858 - 1905 ...
openaire   +1 more source