Beyond Mood and Atmosphere: a Conceptual History of the Term Stimmung. [PDF]
Thonhauser G.
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Aloïs Riegl e il valore dell’antico (o dell’alterazione) nel 'Restauro del Moderno' /
The restoration of contemporary architecture, in terms of design practice and construction outcomes, seems to follow rules that differentiate it from the restoration of historical architecture. The signs of aging, which in restoration theory are one of
Marco Pretelli
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Valuing Historic Places: Traditional and Contemporary Approaches [PDF]
Decisions about which older buildings, structures, and places should be conserved are fundamental to the practice of architectural conservation. Conservation professionals use the interrelated concepts of integrity, authenticity, and historical value to ...
Wells, Jeremy C.
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Wölfflin, Architecture and the Problem of Stilwandlung [PDF]
History of Art and ...
Payne, Alina A
core
Decolonizing Central Europe: Czech Art and the Question of 'Colonial Innocence'. [PDF]
Rampley M.
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The advantages and disadvantages of Art History to Life: Alois Riegl and historicism
Alois Riegl was one of the seminal art historians of the early twentieth century, but very little is known about his career as adjunct-curator of textiles at the Austrian Museum for Art and Industry.
Diana Reynolds Cordileone
doaj
Confederate Statuary: The Difficulty of Preserving Contested Historical Monuments
Removing public monuments from their prominent locations is an act that is likely to cause considerable controversy under most circumstances. This is particularly true when the ideology those monuments were erected to promote is hotly contested within ...
Clinton Jacob Buhler
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Landscape History and Theory: from Subject Matter to Analytic Tool [PDF]
This essay explores how landscape history can engage methodologically with the adjacent disciplines of art history and visual/cultural studies.
Birksted, Jan Kenneth
core
Protecting antiquities in early modern Rome: the papal edicts as paradigms for the heritage safeguard in Europe. [PDF]
Mannoni C.
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De l’effet de sidération et de peur dans les autoportraits d’Andy Warhol
The following article analyses the way fear and shock appear in Andy Warhol’s last self portraits, produced in 1986, through the mechanisms that oppose and accompany it.
Marie CORDIÉ-LEVY
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