Results 61 to 70 of about 5,511 (165)

‘Alois Riegl and the Maori’: Alois Riegl ‘Ornament from New Zealand’, originally published as ‘Neuseeländische Ornamentik’, Mitteilungen der Anthropologischen Gesellschaft in Wien, vol. 20, new ser, vol, 10, 1890, 84-87. [PDF]

Journal of Art Historiography, 2015
Riegl’s lecture about Maori ornament was held before the Anthropological Society in Vienna in 1890 and anticipates much of what he then said in his Stilfragen.
Karl Johns
doaj  

“Bildtapeten” and the conservation of medieval wall paintings at the turn of the twentieth century in Germany

CeROArt : Conservation, Exposition, Restauration d'Objets d'Art, 2013
In the last decades of the nineteenth Century, a paradigm change in the preservation of medieval wall painting conservation took place. Restoration as equivalent of repainting was definitely refused.
Ursula Schädler-Saub
doaj   +1 more source

Authenticity and the Aesthetic Experience of History [PDF]

, 2018
In this paper, I argue that norms of artistic and aesthetic authenticity that prioritize material origins foreclose on broader opportunities for aesthetic experience: particularly, for the aesthetic experience of history.
Matthes, Erich Hatala
core  

New Religion: Wang Guangyi, Apelles’ Line, And Political Theology

Rivista di Estetica
As Warhol appropriated posters and prints already ‘ready-made’, Wang Guangyi ‘covers’ Andy Warhol. This essay discusses Warhol and death (Marilyn Monroe, James Dean), mirroring artist and viewer, along with a discussion of Arthur Danto on Warhol and on ...
Babette Babich
doaj   +1 more source

Nachbilder des Orients – Hugo von Hofmannsthals Märchen der 672. Nacht [PDF]

, 2011
Germanic Languages and ...
Simons, Oliver
core  

Krystallisationsteorien og stilteorien i Alois Riegls forfatterskab

The Nordic Journal of Aesthetics, 1996
 
openaire   +2 more sources

Countenances of the deepest attentiveness: the historical reputation of Jan van Scorel’s portraits [PDF]

Journal of Art Historiography, 2017
This study examines portraits produced by the Netherlandish artist Jan van Scorel (1495-1562) and the pictorial, aesthetic and cultural sources from which they both emerged and departed.
Albert Godycki
doaj  

‘Hans Tietze and art history as Geisteswissenschaft in early twentieth-century Vienna’ translated by Clarice Zdanski with an introduction by Riccardo Marchi, originally published as Riccardo Marchi, ‘Hans Tietze e la storia dell’arte come scienza dello spirito nella Vienna del primo Novecento’, Arte Lombarda, 110/111, 1994, 55–66 [PDF]

Journal of Art Historiography, 2011
This article analyzes the Methode der Kunstgeschichte, published in 1913 by Hans Tietze (1880-1954), an important but often neglected figure of the Vienna school of art history, who had been a student of Franz Wickhoff and Aloïs Riegl and was one of ...
Riccardo Marchi
doaj  

La centralitat de l'historiador de l'art en la transversalitat del coneixement aplicat a la conservació del patrimoni cultural [PDF]

, 2013
not ...
Gambús Saiz, Mercè
core  

Taktile Rezeption und lebensweltliche Umsicht. Film und Stadterfahrung bei Benjamin und Heidegger [PDF]

, 2010
In his famous essay, The Work of Art in the Age of Mechanical Reproduction, Walter Benjamin compares the daily experience of buildings with the perception of films.
Christian Ferencz-Flatz
core