Results 71 to 80 of about 5,511 (165)
An objective evaluation of the beholder's response to abstract and figurative art based on construal level theory. [PDF]
Durkin C +3 more
europepmc +1 more source
Eye Tracking and Visual Arts. Introduction to the Special Thematic Issue. [PDF]
Rosenberg R, Groner R.
europepmc +1 more source
The Baroque: Beads in a Rosary or Folds in Time [PDF]
When Benedetto Croce associated the baroque with decadence he was developing a current of critical thinking which had construed the term ‘baroque’ pejoratively since the seventeenth century.
Hills, Helen
core
Con el propósito de explorar ciertas formas de experiencia temporal en nuestros días, este artículo se centra en las polémicas en torno a la estatua ecuestre de Carlos IV, mejor conocida como El Caballito, suscitadas a raíz de las fallidas labores de ...
Aurelia Valero Pie
doaj +1 more source
This chapter outlines the scope of the book, discusses Rose Macaulay's life and writing, and summarises the other chapters in the book, making connections to their coherence as a unified argument that Macaulay was a writer of modernity in British ...
Macdonald, Kate
core
Riegl makes history: the Denkmalkultus seen in light of Alois Riegl’s historiography
O livro Der moderne Denkmalkultus, sein Wesen und seine Entsehung (O culto moderno dos monumentos: sua essência e sua gênese), do historiador da arte Alois Riegl (1858-1905), é hoje considerado uma das obras capitais do diálogo que chamamos de Teorias da Conservação e Restauro, e no Brasil estudado cada vez mais, com concepções inéditas e mesmo ...
openaire +1 more source
Alois Riegl (Linz 1858 – Vienna 1905) è noto come uno dei più importanti rappresentanti della cosiddetta Scuola viennese di storia dell’arte. In questo saggio si presenta lo studioso evidenziando il legame strutturale che collega nella sua vita professionale e nelle sue opere la ricerca storica, archeologica e artistica, la riflessione metodologica ...
openaire +1 more source
‘A dialogue about the art of portraiture’ Originally published as ‘Gespräch von der Bildniskunst’, Österreichische Rundschau, Volume 6, 1906, 502—516, and republished: Julius Schlosser, Präludien Vorträge und Aufsätze, Berlin: Bard 1927, 227—247. Translated with an introduction by Karl Johns [PDF]
In an unusually popular and readable dialogue form, Schlosser alludes to the classical education he takes for granted in any reader approaching his favourite ‘thorny’ questions from aesthetics and history.
Julius Schlosser
doaj

