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Discoveries and Recoveries in the Laboratory of Georgian Theatre

New Theatre Quarterly, 2011
For a four-month period in 2010 David Francis Taylor worked as a research consultant with the Theatre Royal at Bury St Edmunds, the only working Regency playhouse in Britain. In this article Taylor reflects upon the experiences and insights he acquired over the course of this collaboration. In particular, he indicates how the theatre's restaging of the
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South Africa: a laboratory for theatre research

Communicatio, 1985
SUMMARY The author discusses alternative perspectives on the old paradigm for theatre studies and research in South Africa. He starts by discussing the characteristics of South African theatre research and points to aspects such as the geo-cultural placement and the multi-cultural nature of South African theatre.
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Group Learning and Leadership in Theatre Laboratory

2017
In this chapter the author looks at group learning, group creativity and leadership in a theatre laboratory. Odin Teatret’s director and founder, Eugenio Barba, is presented in his role of charismatic leader. His own learning trajectory is briefly, but originally, described, going through the milestones that brought him to theatre laboratory: the ...
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Prague's experimental stage: Laboratory of theatre and semiotics

Semiotica, 2008
The theoretical works of the Prague School’s structuralist thought, which became the basis of the contemporary semiotics of drama and performance, were often inspired by concurrent artistic experiments. This contribution features a few theoretical concepts such as aktualizace, semantic gesture, stage figure, and their connection with the contemporary ...
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Returning to the Subject: The Heritage of Reduta in Grotowski's Laboratory Theatre

TDR/The Drama Review, 2008
In his book, Pamięć Reduty (Memories of Reduta), Zbigniew Osiński gives a historical account of the work and legacy of a theatre laboratory from the interwar period in Poland, one that Grotowski considered his company's predecessor. In the excerpts presented here, Osiński pursues a comparative analysis of similarities and differences between the two ...
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Brescia laboratory of reform for a patriotic and civic theatre

2022
The article outlines the most significant features of the project for the transformation of the theatre in Brescia between 1796 and 1798 , interpreting it as a "laboratory" for the implementation of Francesco Salfi's reform thinking.
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Theatre as a listening laboratory

Communication Education, 1987
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Grotowski's Laboratory Theatre: Dissolution and Diaspora

The Drama Review: TDR, 1986
Robert Findlay, Halina Filipowicz
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