Results 1 to 10 of about 4,002 (85)
ANOTAÇÕES DAS AULAS DE V. E. MEYERHOLD
MORINGA - Artes do Espetáculo, 2021 Estas anotações de Eisenstein, assim como uma carta dele para sua mãe, fazem parte do livro Eisenstein sobre Meyerhold: 1919-1958, organizado, preparado e comentado por Vladímir Zabrodin (Moscou: Новое издательство, 2005).
Serguei Eisenstein, Sonia Branco
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The influence of Meyerhold's biomechanics on 20th century theatre: The principle of equivalence [PDF]
Zbornik Radova Akademije Umetnosti, 2015 Meyerhold's biomechanics (Mejerhol'd Ë. V.), as an acting technique in preparation for a role and performance in front of the audience, originated in the 1920s.
Prpa-Fink Marijana
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Journal of Philosophy of Education, Volume 56, Issue 2, Page 329-341, April 2022., 2022 Abstract This article explores the educational philosophy of Asja Lācis' proletarian children's theatre. Taking her post–First World War encounter with Russian street children as a starting point for my inquiry, I argue that Lācis regards the theatre as a rehearsal space for life.
Katja Frimberger
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ERNST TOLLER'S LIVING NEWSPAPERS AND THE FEDERAL THEATRE PROJECT
German Life and Letters, Volume 75, Issue 2, Page 266-282, April 2022., 2022 ABSTRACT During his first trip to the US in 1929 Ernst Toller was impressed by the Newsreel cinemas of William Fox. In his words – ‘die Zeitung ist lebendig geworden’ – the films were a sort of ‘living newspaper’. He tried to write such a ‘Living Newspaper’ in his first radio play Berlin, letzte Ausgabe!
Michael Pilz
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Meyerhold e a biomecânica: uma poética do corpo
Literatura e Sociedade, 1997 O presente artigo focaliza a trojetória artística do diretor russo de vanguarda V. E. Meyerhold, em especial a importante fase em que cria sua técnica da biomecânica como base para o trabalho do ator, em consonância com os procedimentos artísticos do ...
Arlete Orlando Cavaliere
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Surfaces, depths and hypercubes: Meyerholdian scenography and the fourth dimension [PDF]
, 2015 An appreciation of Meyerhold’s engagement with theatrical space is fundamental to understanding his directorial and pedagogic practice. This article begins by establishing Meyerhold’s theoretical and practical engagement with theatre as a fundamentally ...
Apollinaire Guillaume +13 more
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THE CREATIV PRINCIPLS OF Y.B. VAKHTANGOV IN PRACTICE OF MODERN STUDIO THEATER
Sovremennye Issledovaniâ Socialʹnyh Problem, 2014 Studio theaters at which origins K. S. Stanislavsky and his disciples Y. B. Vakhtangov, М. А. Chekhov, V. E. Meyerhold played an important part in development of the Russian theater.
Elena Petrovna Shevchenko
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Sergueï Eisenstein : l’acteur manquant [PDF]
, 2001 Eisenstein fut-il un acteur manqué? On sait qu'il mimait, jouait volontiers les rôles dont il parlait dans son enseignement. Cependant la vraie question est plutôt de se demander quelle est la place de l'acteur dans sa ...
Pitassio, Francesco
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Pan-Art, 2023 The aim of the historical and theoretical study is to find an answer to the question of the place that the 1911 production of M. P. Mussorgsky’s opera “Boris Godunov” in the Mariinsky Theatre occupies in the creative work of the director V. E. Meyerhold and the role that it plays.
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Intermediality in Theatre and Performance: Definitions, Perceptions and Medial Relationships [PDF]
, 2008 This article provides a brief overview of the discourse on the relationships between the arts and media over the twentieth century, with specific reference to the concepts of mediality: multi-, trans- and intermediality set in discourse of arts and media
Kattenbelt, Chiel
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