Results 1 to 10 of about 40 (40)

ANOTAÇÕES DAS AULAS DE V. E. MEYERHOLD

open access: yesMORINGA - Artes do Espetáculo, 2021
Estas anotações de Eisenstein, assim como uma carta dele para sua mãe, fazem parte do livro Eisenstein sobre Meyerhold: 1919-1958, organizado, preparado e comentado por Vladímir Zabrodin (Moscou: Новое издательство, 2005).
Serguei Eisenstein, Sonia Branco
openaire   +1 more source

The influence of Meyerhold's biomechanics on 20th century theatre: The principle of equivalence [PDF]

open access: yesZbornik Radova Akademije Umetnosti, 2015
Meyerhold's biomechanics (Mejerhol'd Ë. V.), as an acting technique in preparation for a role and performance in front of the audience, originated in the 1920s.
Prpa-Fink Marijana
doaj   +1 more source

Meyerhold e a biomecânica: uma poética do corpo

open access: yesLiteratura e Sociedade, 1997
O presente artigo focaliza a trojetória artística do diretor russo de vanguarda V. E. Meyerhold, em especial a importante fase em que cria sua técnica da biomecânica como base para o trabalho do ator, em consonância com os procedimentos artísticos do ...
Arlete Orlando Cavaliere
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THE CREATIV PRINCIPLS OF Y.B. VAKHTANGOV IN PRACTICE OF MODERN STUDIO THEATER

open access: yesSovremennye Issledovaniâ Socialʹnyh Problem, 2014
Studio theaters at which origins K. S. Stanislavsky and his disciples Y. B. Vakhtangov, М. А. Chekhov, V. E. Meyerhold played an important part in development of the Russian theater.
Elena Petrovna Shevchenko
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F. I. Chaliapin and V. E. Meyerhold in the work on the production of “Boris Godunov” (Mariinsky Theatre, 1911)

open access: yesPan-Art, 2023
The aim of the historical and theoretical study is to find an answer to the question of the place that the 1911 production of M. P. Mussorgsky’s opera “Boris Godunov” in the Mariinsky Theatre occupies in the creative work of the director V. E. Meyerhold and the role that it plays.
openaire   +1 more source

Soviet Physical Culture Parades and the Image of the “Ideal Athlete” in 1920-1930s

open access: yesRUDN Journal of Russian History
The author in their article examines the role of physical culture festivals and parades in the USSR in the 1920-1930s as an instrument of forming a “new man” and a new socialist society.
Elena V. Barysheva
doaj   +1 more source

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