Results 11 to 20 of about 40 (40)
Journal of Philosophy of Education, Volume 56, Issue 2, Page 329-341, April 2022., 2022 Abstract This article explores the educational philosophy of Asja Lācis' proletarian children's theatre. Taking her post–First World War encounter with Russian street children as a starting point for my inquiry, I argue that Lācis regards the theatre as a rehearsal space for life.
Katja Frimberger
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ERNST TOLLER'S LIVING NEWSPAPERS AND THE FEDERAL THEATRE PROJECT
German Life and Letters, Volume 75, Issue 2, Page 266-282, April 2022., 2022 ABSTRACT During his first trip to the US in 1929 Ernst Toller was impressed by the Newsreel cinemas of William Fox. In his words – ‘die Zeitung ist lebendig geworden’ – the films were a sort of ‘living newspaper’. He tried to write such a ‘Living Newspaper’ in his first radio play Berlin, letzte Ausgabe!
Michael Pilz
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Bakhtin + x, through a Modernist Mask
The Russian Review, Volume 83, Issue 2, Page 266-271, April 2024.
Caryl Emerson
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Some of the next articles are maybe not open access.
ТЕАТР. ЖИВОПИСЬ. КИНО. МУЗЫКА
The agitational sketch by Vs.E. Meyerhold At Us the Europe!, which premiered in June 1924, became a vivid example of a political propaganda play based on a rather poor dramaturgy, but firmly made by theatre means of expression. The mobile stage decorations in the form of movable billboards, three projection screens, actors’ transformations (constant ...
Diana R. Bikkulova, Vera S. Pilgun
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The agitational sketch by Vs.E. Meyerhold At Us the Europe!, which premiered in June 1924, became a vivid example of a political propaganda play based on a rather poor dramaturgy, but firmly made by theatre means of expression. The mobile stage decorations in the form of movable billboards, three projection screens, actors’ transformations (constant ...
Diana R. Bikkulova, Vera S. Pilgun
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Herald of an archivist, 2018
The avant-garde director V. E. Meyerhold accepted the ideas of the October Revolution of 1917 with enthusiasm. His search for new theatrical forms seemed interconnected with agitation mass art and grandiose festivities on the days of revolutionary holidays in particular.
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The avant-garde director V. E. Meyerhold accepted the ideas of the October Revolution of 1917 with enthusiasm. His search for new theatrical forms seemed interconnected with agitation mass art and grandiose festivities on the days of revolutionary holidays in particular.
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ТЕАТР. ЖИВОПИСЬ. КИНО. МУЗЫКА
At the end of 1917 Vsevolod Meyerhold paid great attention to social work in the Mariinsky Opera Company. Among the anti-Bolshevik actors of the Alexandrinsky Theatre, the direc- tor, who chose the path of rapprochement with representatives of the Soviet government, was in comparative isolation.
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At the end of 1917 Vsevolod Meyerhold paid great attention to social work in the Mariinsky Opera Company. Among the anti-Bolshevik actors of the Alexandrinsky Theatre, the direc- tor, who chose the path of rapprochement with representatives of the Soviet government, was in comparative isolation.
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Interpretation of V. E. Meyerhold's Creative Thinking On the Material of the Play “Roar, China!”
Университетский научный журнал, 2020openaire +1 more source
V. E. Meyerhold: A Russian Predecessor of Avant-Garde Theater
Comparative Literature, 1965openaire +1 more source