Is the beautiful moral? Lars von Trier, Schiller and Kant on morality of the work of art [PDF]
SHS Web of Conferences, 2023 The point of departure is a film by Lars von Trier, The House That Jack Built (2018). The most striking aspect of this film is that Jack has grounds for his actions. By committing a serial murder he is creating a work of art.
Krioukov Alexei
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Lars von Trier's Women, edited by Rex Butler and David Denny
Alphaville: Journal of Film and Screen Media, 2017 When Linda Badley published her Lars von Trier in 2011, she inaugurated a series of informed, rigorous monographs on the Danish director. Scholarly interest in the work of von Trier has steadily increased since then, as demonstrated by the recent ...
Silvia Angeli
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EURO-AMERICAN HEGEMONY AND LARS VON TRIER AS A ‘EUROPEAN DIRECTOR’ / AVRO-AMERİKAN HEGEMONYASI ve “AVRUPALI BİR YÖNETMEN” OLARAK LARS VON TRİER [PDF]
Folklor/Edebiyat, 2017 Lars von Trier’s filmography invites the audience to complex and multi-faceted reflections on Western culture and civilization. The cultural and historical entity, which we term ‘Euro-America’, is located at the center of Trier’s intellectual and ...
Selma Köksal*, Özlem Denli**
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Review of Politics as Form in Lars von Trier: A Post-Brechtian Reading
CINEJ Cinema Journal, 2014 Controversial and unconventional designer of formal experimentations, simultaneously celebrated and despised around the world, performative to a point that realism is achieved through the manipulation of realistic conventions hidden in everyday forms of ...
Sara Marino
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A estética pré-rafaelita em “Melancolia” de Lars Von Trier
Especiaria, 2023 Melancolia (2011), filme de Lars von Trier, é uma ampliação do tradicional enredo sci-fi, pois se alicerça mais em uma investigação estética do comportamento humano frente ao extermínio e menos na promessa do progresso racionalista e tecnológico.
Gabriela Sá Pauka
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With the Truth or with Christ? Lars von Trier’s Dialogue with Fyodor Dostoyevsky [PDF]
, 2015 The article was submitted on 20.01.2015.The article considers the central film cycles of the contemporary Danish director and scriptwriter Lars von Trier (Golden Heart Trilogy, USA, Depression Trilogy). The author argues that the Danish artist’s creative
Turysheva, O., Турышева, О. Н.
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Dogville or an illustration of some properties of general equilibrium [PDF]
, 2008 Lars von Trier's movie 'Dogville' illustrates some illuminating and poignant comparative statics of equilibrium allocations, according to Heike Harmgart and Steffen ...
Harmgart, H., Huck, S.
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Violence, Pregnant with Peace: Criminological Reading of Lars von Trier
Kriminologijos studijos, 2022 In this article, the works of cinema director Lars von Trier are invoked as an instrument to explain various criminological theories. Mostly, the approach of cultural criminology is applied as well as other perspectives: dramaturgical-existential ...
Salomėja Zaksaitė
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El sol nunca brilla en Dogville
Comunicación, 2022 Se trata, en el presente artículo, de confrontar dos textos fílmicos y explorar la diferencia entre el cine clásico y el postclásico. El primer texto es Dogville, film postclásico dirigido por Lars von Trier en 2003; el segundo, El sol siempre brilla en
Basilio Casanova
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Behind Idealism: The Discrepancy between Philosophy and Reality in The Cinema of Lars von Trier
Scandinavian-Canadian Studies, 2010 : “All my life I’ve been interested in the discrepancy between philosophy and reality, between conviction and its implementation.” (Lars von Trier, 2005)
Mads Bunch
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