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Melancholia

Some Glad Morning, 2019
This is a film review of Melancholia (2011) directed by Lars Von Trier. This film review is available in Journal of Religion & Film: https://digitalcommons.unomaha.edu/jrf/vol16/iss1/10 Ever wondered about the “end of the world?” In America such ...
J. Pahl, Lars von Trier
semanticscholar   +1 more source

Justice, Revenge, and Unexpected Theodicy in Lars Von Trier's Dogville and Euripides' Medea

Arethusa, 2021
:Lars von Trier's 2003 film Dogville shares extensive plot parallels with Euripides' Medea. Through elements such as classical and Biblical names (Jason, Achilles, Grace) and Greek words scrawled on a chalkboard, von Trier invites his viewer to read the ...
B. Haller
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Melancholy and its sisters: transformations of a concept from Homer to Lars von Trier

History of European Ideas, 2021
This introduction argues for competing diachronic and synchronic accounts of melancholy in European and American culture. Taking the pioneering and yet belated work Saturn and Melancholy (1964) of Erwin Panofsky, Fritz Saxl, and Raymond Klibansky as its ...
Dominic E. Delarue, John Raimo
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“Dancer in the Dark” (Lars von Trier, 2000) as a Case Study on the Transformation of the Musical Genre in Modern Cinema

Vestnik VGIK
Using “Dancer in the Dark” (dir. Lars von Trier, 2000) as an example, the article investigates the possibilities of transforming film musical. By analyzing the interaction of the artistic means in the movie, the author comes to the conclusion that the ...
Yu. O. Vinar
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Recalling The Lost Essence: Identity And Sexuality In Lars Von Trier's Breaking The Waves

Jurnal Ilmu Sosial, Humaniora dan Seni
Lars von Trier's Breaking the Waves (1996) succeeded in initiating polarizing arguments concentrated on the tragic fate of its central heroin, Bess. The violent misogynistic treatments she receives from the society in her village—governed by a deeply ...
Rabbi Antaridha
semanticscholar   +1 more source

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