Results 161 to 170 of about 24,368 (200)
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2023
Vera Pigee explains why and how she wrote the autobiography.
Vera Pigee, Vera Pigee
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Vera Pigee explains why and how she wrote the autobiography.
Vera Pigee, Vera Pigee
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Journal of Sound and Music in Games, 2023
Final Fantasy VII (1997) is perhaps best known for its compelling story and memorable soundtrack. Like many of the other games within the franchise, storytelling within FF7 is heavily rooted in the Kishōtenketsu storytelling format. This four-part structure favors character development over conflict and establishes strong psychological connections ...
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Final Fantasy VII (1997) is perhaps best known for its compelling story and memorable soundtrack. Like many of the other games within the franchise, storytelling within FF7 is heavily rooted in the Kishōtenketsu storytelling format. This four-part structure favors character development over conflict and establishes strong psychological connections ...
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Journal of Film Music, 2013
The idea that the film scoring procedures of classic Hollywood composers descends from the leitmotif technique of Wagner (and other composers such as Richard Strauss) is so firmly embedded in narrative histories of film music that it hardly needs to be rearticulated.
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The idea that the film scoring procedures of classic Hollywood composers descends from the leitmotif technique of Wagner (and other composers such as Richard Strauss) is so firmly embedded in narrative histories of film music that it hardly needs to be rearticulated.
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Introduction: Prospectus and Leitmotifs
2021The prospectus of this volume on Psychiatry in Crisis starts with a survey of typical reactions to the authors’ investigations, from denial of a crisis in psychiatry to its trivialization, opening a discussion of the reductive models of psychiatry and how this creates an impoverished language of psychiatry. The authors then state their major leitmotifs:
Vincenzo Di Nicola, Drozdstoj Stoyanov
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2022
Abstract This chapter investigates film music made up of the same short musical fragment repeated several times throughout a film. As a self-reflexive device, these identical fragments attract the attention of the spectator, for they are identically repeated multiple times, and they often begin and end in the middle of a musical phrase ...
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Abstract This chapter investigates film music made up of the same short musical fragment repeated several times throughout a film. As a self-reflexive device, these identical fragments attract the attention of the spectator, for they are identically repeated multiple times, and they often begin and end in the middle of a musical phrase ...
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2006
Abstract The word ‘leitmotif ‘ is from the German Leitmotiv meaning ‘leading motif ‘: a term adopted by early commentators on Wagner’s music dramas to highlight what they believed to be the most important feature contributing to comprehensibility and expressive intensity in those works.
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Abstract The word ‘leitmotif ‘ is from the German Leitmotiv meaning ‘leading motif ‘: a term adopted by early commentators on Wagner’s music dramas to highlight what they believed to be the most important feature contributing to comprehensibility and expressive intensity in those works.
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2018
A leitmotif (from the German Leitmotiv: ‘guiding motif’) in its original sense is a musical theme that appears multiple times over the course of a dramatic composition and thereby gives a person, object, place or concept both a symbolic form and coherence over time.
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A leitmotif (from the German Leitmotiv: ‘guiding motif’) in its original sense is a musical theme that appears multiple times over the course of a dramatic composition and thereby gives a person, object, place or concept both a symbolic form and coherence over time.
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2020
Introduction to Wagner’s use of leitmotifs in the Ring and the discourse that accompanied and shaped the notion of this compositional technique from its beginnings. Special focus on the making of the concept (which Wagner neither initiated nor supported), on the idea of “foreboding and reminiscent melodic moments” he developed in Opera and Drama and on
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Introduction to Wagner’s use of leitmotifs in the Ring and the discourse that accompanied and shaped the notion of this compositional technique from its beginnings. Special focus on the making of the concept (which Wagner neither initiated nor supported), on the idea of “foreboding and reminiscent melodic moments” he developed in Opera and Drama and on
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Leitmotifs in Natural Morphology
1987Natural Morphology is the term the four authors of this monograph agreed on to cover the leitmotifs of their common and individual approaches in questions of theoretical morphology. The introduction summarizes the basic concepts and strategies of Natural Morphology, to be followed by Mayerthaler who deals with universal properties of inflectional ...
Wolfgang U. Dressler +3 more
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The Ring: A Leitmotif in Plasmonics
ACS Nano, 2009An interesting paper in this issue describes an experiment that is an optical analogue of the "quantum corral" on metal surfaces constructed and observed using scanning tunneling microscopy more than a decade ago. In this Perspective, the mechanism underlying the confinement and manipulation of light in metallic nanorings and related structures are ...
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