Results 11 to 20 of about 1,330 (109)
Janáčkova organizační činnost v Družstvu Národního divadla v Brně
Musicologica Brunensia, 2013 Leoš Janáček has joint the Družstvo committee of the Czech National Theater in Brno altogether three times. For the first time, not long after the Czech National Theater in Brno was opened, he was elected an alternate member of the curie of active and ...
Jiří Zahrádka
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Who Was Herr von Infeld, the First Teacher of Vilemína Nerudová
Musicologica Olomucensia, 2023 Data from birth and death registers, censuses of Brno 1850 and 1857, and Brno theater almanacs prove, the violinist Baroch von Imfeld, introduced to literature by Vladimír Helfert (1939), in reality never existed.
Radek Hasalík
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Musicologica Brunensia, 2019 With the exception of Leoš Janáček, composers from the generation of the so-called Czech Modern Music scarcely succeeded in presenting their work abroad in the first years of the new Czechoslovak Republic.
Lenka Křupková
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On the History of the Term “Ethnomusicology” [PDF]
, 2021 It is generally accepted that the fundamental term “ethnomusicology,” as universally accepted in contemporary scholarship, first appeared in 1950 and was invented by the Dutchman Jaap Kunst. In reality, the birthplace of this term is Ukraine where it was
Lukaniuk, Bohdan
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Proměny a konstanty Helfertova psaní o Janáčkovi
Musicologica Brunensia, 2016 The study deals with development of Vladimír Helfert's writing about Leoš Janáček from the period 1911–1939 and presents the results of a discourse analysis of Helfert's texts (both musical-critical and historiographical) on Janáček.
Miloš Zapletal
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Leoš Janáček and the Avant-garde of the Twenties
Muzikološki Zbornik, 1968 A brief consideration of Janáček's connections with the modernist trends in the music of the twenties involves an exact analysis of his later work. In the work of this composer who was born in the fifties of the last century we find a number of the ...
Miloš Štědroň
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"Jsem rád, že noty budou v pořádku." : Leoš Janáček a Břetislav Bakala – vzájemný vztah dvou umělců
Musicologica Brunensia, 2013 The study aims at some aspects of Břetislav Bakala's relationship to Leoš Janáček and his compositions. The article describes Bakala’s studies at Janáček's organ school and master school of composition and presents Bakala's interpretation of his teacher ...
Libuše Janáčková
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Tajemství Janáčkova klavírního cyklu Jarní píseň : (co ukrývala skladatelova korespondence)
Musicologica Brunensia, 2016 In 1937, in Pazdírek's Music Dictionary's entry dedicated to Leoš Janáček, the lost piano cycle Spring Song (1912) is mentioned for the first time. The author of the article was Vladimír Helfert.
Jiří Zahrádka
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Musicologica Brunensia, 2013 Brno became a center of musical culture in the late 19th century thanks to versatile activities of Leoš Janáček. His disciples, however, not establish its activities, the efforts of their teachers did not understand. The situation changed after the World
Jindřiška Bártová
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Musicologica Brunensia, 2014 During his summer stay in the Luhačovice spa Leoš Janáček met charming Kamila Urválková who on numerous meetings told him her youth love story which attracted his attention.
Jiří Zahrádka
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