Results 21 to 30 of about 4,902 (82)
This text is concerned with the commentary of Bohuslav Martinů on František Bartoš and Leoš Janáček's Moravian Folksongs Newly Collected (1901) and its Janáček's introduction On Musical Aspects of Moravian National Songs, which in 1954–5 Martinů outlined
Vít Zouhar
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Pavel Haas: “Janáček’s Most Talented Student”
In the course of the 1920s and 30s Pavel Haas (1899–1944) earned a reputation for himself in broader cultural consciousness as an original composer and Janáček’s “most talented student”. In the specific context of Czech music he likewise has the
Lubomír Spurný
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Leoš Janáček's interpretation and misinterpretation of Dostoyevsky's The House of the Dead
This article analyses the approach Leoš Janáček undertook in translating the original Russian text of Fyodor Mikhailovich Dostoyevsky's The House of the Dead to the Czech language.
Danuta Hudecová, Petr Kalina
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Musical language of Leoš Janáček and his sonata for violin and piano [PDF]
This work is about the musical language of the Czech composer Leoš Janáček. Because of many composition he wrote I decided to concentrate on his sonata for violin and piano and find the original ...
Pavlová, Ludmila
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Vladimír Helfert ve Státním ústavu pro lidovou píseň
Vladimír Helfert's publishing activity in the field of musical folkloristics and ethnomusicology was not extensive. This study encompasses his work and organizational activities on the Moravian-Silesian Committee of the State Institute for Folk Song from
Jarmila Procházková
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Omnibus, February 21, 1984 [PDF]
This is the concert program of the Omnibus performance on Tuesday, February 21, 1984 at 8:00 p.m., at the Concert Hall, 855 Commonwealth Avenue. Works performed were Klangspiral by Peter Michael Hamel, Concertino for Piano by Leoš Janáček, Poems of Emily
School of Music, Boston University
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Ke genezi Janáčkova smyčcového kvartetu "Listy důvěrné"
Although Leoš Janáček managed to complete the second string quartet Listy důvěrné, there still remain several ambiguities concerning the origin of the quartet.
Jiří Zahrádka
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One important predecessor of the now traditional annual Brno musicological colloquiums, founded in 1966, was the International Musicological Congress Leoš Janáček and the Contemporary Music in 1958. Several musicologists from both parts of divided Europe,
Jiří Vysloužil
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Janáček's "Slovenian" pupil Emerik Beran and his forgotten opera Melusina
Janáček's "Slovenian" pupil Emerik Beran wrote his only opera, which he entitled Melusina, in Brno in 1896. Although the opera was conceived abroad by the Czech composer, who lived most of his life in Slovenia, it certainly deserves a more detailed ...
Jernej Weiss
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Performances and the String Quartet n. 2 – Intimate Letters
Speculatively probing the twilight of Czech composer Leos Janacek’s (1854-1928) life and career, an enthusiastic PhD student, Anezka Ungrova, crossexamines the dead Janacek – the subject of her thesis.
Rosalie Rahal Haddad
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