Results 21 to 30 of about 3,539,189 (47)
Pavel Haas: “Janáček’s Most Talented Student”
Muzikološki Zbornik, 2015 In the course of the 1920s and 30s Pavel Haas (1899–1944) earned a reputation for himself in broader cultural consciousness as an original composer and Janáček’s “most talented student”. In the specific context of Czech music he likewise has the
Lubomír Spurný
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Leoš Janáček's interpretation and misinterpretation of Dostoyevsky's The House of the Dead
Musicologica Brunensia, 2016 This article analyses the approach Leoš Janáček undertook in translating the original Russian text of Fyodor Mikhailovich Dostoyevsky's The House of the Dead to the Czech language.
Danuta Hudecová, Petr Kalina
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Vladimír Helfert ve Státním ústavu pro lidovou píseň
Musicologica Brunensia, 2016 Vladimír Helfert's publishing activity in the field of musical folkloristics and ethnomusicology was not extensive. This study encompasses his work and organizational activities on the Moravian-Silesian Committee of the State Institute for Folk Song from
Jarmila Procházková
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Ke genezi Janáčkova smyčcového kvartetu "Listy důvěrné"
Musicologica Brunensia, 2012 Although Leoš Janáček managed to complete the second string quartet Listy důvěrné, there still remain several ambiguities concerning the origin of the quartet.
Jiří Zahrádka
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Musicologica Brunensia, 2013 One important predecessor of the now traditional annual Brno musicological colloquiums, founded in 1966, was the International Musicological Congress Leoš Janáček and the Contemporary Music in 1958. Several musicologists from both parts of divided Europe,
Jiří Vysloužil
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Janáček's "Slovenian" pupil Emerik Beran and his forgotten opera Melusina
Musicologica Brunensia, 2013 Janáček's "Slovenian" pupil Emerik Beran wrote his only opera, which he entitled Melusina, in Brno in 1896. Although the opera was conceived abroad by the Czech composer, who lived most of his life in Slovenia, it certainly deserves a more detailed ...
Jernej Weiss
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Performances and the String Quartet n. 2 – Intimate Letters
ABEI Journal, 2007 Speculatively probing the twilight of Czech composer Leos Janacek’s (1854-1928) life and career, an enthusiastic PhD student, Anezka Ungrova, crossexamines the dead Janacek – the subject of her thesis.
Rosalie Rahal Haddad
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About the instrumentation of bass and melody line in Leoš Janáček's Sinfonietta and Mládí
Musicologica Brunensia, 2013 Leoš Janáček's orchestral and chamber music works belong to the most significant compositions of the first half of the 20th century. Besides his numerous stage works Janáček created a series of orchestral works, such as Taras Bulba (1915-18), Balada ...
Charris Efthimiou
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Janáčkova trnitá cesta k založení brněnské konzervatoře a jejímu zestátnění
Musicologica Brunensia, 2018 Right after the declaration of independent Czechoslovakia Janáček got busy carrying out his long-standing dream of founding a conservatoire in Brno.
Jiří Zahrádka
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Hynek Bím – Sbírka duchovních písní z Vnorov
Musicologica Brunensia, 2014 The aim of this thesis is to examine in detail a collection of church songs which was collected by Hynek Bím during 1911 in Vnorovy. Today, the source is stored in the archives of the EU AVČR in Brno under the signature A1084.
Kateřina Smékalová
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