Results 11 to 20 of about 3,539,189 (47)

Leoš Janáček and the Avant-garde of the Twenties

open access: yesMuzikološki Zbornik, 1968
A brief consideration of Janáček's connections with the modernist trends in the music of the twenties involves an exact analysis of his later work. In the work of this composer who was born in the fifties of the last century we find a number of the ...
Miloš Štědroň
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"Jsem rád, že noty budou v pořádku." : Leoš Janáček a Břetislav Bakala – vzájemný vztah dvou umělců

open access: yesMusicologica Brunensia, 2013
The study aims at some aspects of Břetislav Bakala's relationship to Leoš Janáček and his compositions. The article describes Bakala’s studies at Janáček's organ school and master school of composition and presents Bakala's interpretation of his teacher ...
Libuše Janáčková
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Tajemství Janáčkova klavírního cyklu Jarní píseň : (co ukrývala skladatelova korespondence)

open access: yesMusicologica Brunensia, 2016
In 1937, in Pazdírek's Music Dictionary's entry dedicated to Leoš Janáček, the lost piano cycle Spring Song (1912) is mentioned for the first time. The author of the article was Vladimír Helfert.
Jiří Zahrádka
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Některá specifika brněnského hudebního života ve 2. polovině 20. století aneb existovala brněnská kompoziční škola?

open access: yesMusicologica Brunensia, 2013
Brno became a center of musical culture in the late 19th century thanks to versatile activities of Leoš Janáček. His disciples, however, not establish its activities, the efforts of their teachers did not understand. The situation changed after the World
Jindřiška Bártová
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Osud, dílo v mnohém zlomové

open access: yesMusicologica Brunensia, 2014
During his summer stay in the Luhačovice spa Leoš Janáček met charming Kamila Urválková who on numerous meetings told him her youth love story which attracted his attention.
Jiří Zahrádka
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Můj pohled na život a dílo Vladimíra Helferta

open access: yesMusicologica Brunensia, 2016
The study deals with the founder of musicology in Brno, professor Vladimír Helfert, whose musicological work is valuated against the background of his life.
Jiří Vysloužil
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The Transcription of the Correspondence between Leoš Janáček (1854-1928) and Emerik Beran (1868-1940)

open access: yesMuzikološki Zbornik, 2006
Among the twenty-one preserved letters from Janáček to Beran, written during 1890 and 1928 in Czech, eight of Janáček’s letters and eight of Janáček’s postcards have been preserved, in addition to five official letters written during Beran’s pedagogical ...
Jernej Weiss
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Eavesdropping with a Master: Leoš Janáček and the Music of Speech

open access: yesEmpirical Musicology Review, 2006
The composer Leos Janácek (1854-1928) has been noted for his interest in speech melodies. Little discussion has focused however on the field methods that he used in gathering them, nor on the products themselves.
Jonathan Pearl
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The forgotten correspondence between two friends: Leoš Janáček (1854-1928) and Emerik Beran (1868-1940)

open access: yesMuzikološki Zbornik, 2005
Bohemia and Moravia were sending their musically talented sons into the world for nearly three hundred years thereby earning the title of Europe's conservatorium.
Jernej Weiss
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Bohuslav Martinů's notes on Janáček's introduction to the "Moravian Folksongs Newly Collected" (Národní písně moravské v nově nasbírané)

open access: yesMusicologica Brunensia, 2014
This text is concerned with the commentary of Bohuslav Martinů on František Bartoš and Leoš Janáček's Moravian Folksongs Newly Collected (1901) and its Janáček's introduction On Musical Aspects of Moravian National Songs, which in 1954–5 Martinů outlined
Vít Zouhar
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