Results 11 to 20 of about 3,539,189 (47)
Leoš Janáček and the Avant-garde of the Twenties
A brief consideration of Janáček's connections with the modernist trends in the music of the twenties involves an exact analysis of his later work. In the work of this composer who was born in the fifties of the last century we find a number of the ...
Miloš Štědroň
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"Jsem rád, že noty budou v pořádku." : Leoš Janáček a Břetislav Bakala – vzájemný vztah dvou umělců
The study aims at some aspects of Břetislav Bakala's relationship to Leoš Janáček and his compositions. The article describes Bakala’s studies at Janáček's organ school and master school of composition and presents Bakala's interpretation of his teacher ...
Libuše Janáčková
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Tajemství Janáčkova klavírního cyklu Jarní píseň : (co ukrývala skladatelova korespondence)
In 1937, in Pazdírek's Music Dictionary's entry dedicated to Leoš Janáček, the lost piano cycle Spring Song (1912) is mentioned for the first time. The author of the article was Vladimír Helfert.
Jiří Zahrádka
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Brno became a center of musical culture in the late 19th century thanks to versatile activities of Leoš Janáček. His disciples, however, not establish its activities, the efforts of their teachers did not understand. The situation changed after the World
Jindřiška Bártová
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During his summer stay in the Luhačovice spa Leoš Janáček met charming Kamila Urválková who on numerous meetings told him her youth love story which attracted his attention.
Jiří Zahrádka
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Můj pohled na život a dílo Vladimíra Helferta
The study deals with the founder of musicology in Brno, professor Vladimír Helfert, whose musicological work is valuated against the background of his life.
Jiří Vysloužil
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Among the twenty-one preserved letters from Janáček to Beran, written during 1890 and 1928 in Czech, eight of Janáček’s letters and eight of Janáček’s postcards have been preserved, in addition to five official letters written during Beran’s pedagogical ...
Jernej Weiss
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Eavesdropping with a Master: Leoš Janáček and the Music of Speech
The composer Leos Janácek (1854-1928) has been noted for his interest in speech melodies. Little discussion has focused however on the field methods that he used in gathering them, nor on the products themselves.
Jonathan Pearl
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Bohemia and Moravia were sending their musically talented sons into the world for nearly three hundred years thereby earning the title of Europe's conservatorium.
Jernej Weiss
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This text is concerned with the commentary of Bohuslav Martinů on František Bartoš and Leoš Janáček's Moravian Folksongs Newly Collected (1901) and its Janáček's introduction On Musical Aspects of Moravian National Songs, which in 1954–5 Martinů outlined
Vít Zouhar
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