Results 31 to 40 of about 921 (162)
What Does Intarsia Say? Materiality and Spirituality in the Urbino Studiolo☆
Renaissance Studies, EarlyView.Abstract Upon entering the Urbino studiolo of Federico da Montefeltro, the visitor is struck by a material‐charged environment. Surprisingly, only a few scholars have addressed one prominent aspect of the decorative scheme, namely, the feature of intarsia as a medium. Even so, it remains on the sidelines of the discussion.
Matan Aviel
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Jamile Trueba Lawland, El arte epistolar en el Renacimiento español. Tamesis, Madrid, 1996; 162 pp.
Nueva Revista de Filología Hispánica, 1997 Se reseñó el libro: El arte epistolar en el Renacimiento español.
Martha Elena Venier
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Obesity and the Politics of Taddeo di Bartolo's Inferno
Renaissance Studies, EarlyView.ABSTRACT This paper examines Taddeo di Bartolo's depiction of Hell in the Collegiata di Santa Maria Assunta, the mother church of San Gimignano. In a striking departure from similar scenes of the period, the fresco, painted in the early fifteenth century, emphasizes the obesity of the sinners—suggesting a deliberate visual critique.
Stefania Roccas Gandal
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Nueva Revista de Filología Hispánica, 1947 Se reseñó el libro: El arte dramático en Lima durante el Virreinato.
José de Jesús Rojas Garcidueñas
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The Journal of Latin American and Caribbean Anthropology, Volume 31, Issue 2, June 2026.ABSTRACT The visit to Bogotá of a fééeneminaa (Muinane) friend, Célimo Nejedeka Jifichíu, and in particular, his work in researching and transmitting traditional health knowledge, offer the pretext to navigate the relationship between elements that at first glance seem distant from each other: indigenous imaginaries about otherness, their visions of ...
Giovanna Micarelli
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Nueva Revista de Filología Hispánica, 1996 Se reseñó el libro: La imitación como arte literario en el siglo XVI español.
Anne J. Cruz
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Three Men and an Abbey: The Cornaro Triple Portrait☆
Renaissance Studies, Volume 40, Issue 1, Page 97-120, February 2026.Abstract This paper builds on the author’s recent identification of an early sixteenth‐century painting in the National Gallery of Ireland as containing rare portraits of Giorgio Cornaro (brother of Caterina, Queen of Cyprus) and his son Cardinal Francesco.
Rachel Healy
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Nueva Revista de Filología Hispánica, 1958 Se reseñó el libro: Rómulo Gallegos. Estudio sobre el arte de novelar.
Emma Susana Speratti-Piñero
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TEACHING SPANISH IN THE UNIVERSAL MONARCHY: TOMÁS PINPIN'S GRAMMAR FOR TAGALOGS (1610)
History and Theory, Volume 64, Issue 4, Page 92-108, December 2025.ABSTRACT In 1610, a Tagalog printer named Tomás Pinpin published a Spanish grammar in Tagalog that was intended to help natives avoid errors and misunderstandings in their interactions with Spanish colonizers. This article attempts to clarify the book's genesis and to contextualize it within the global expansion of Spanish. Pinpin exemplifies a pattern
ALAN DURSTON
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Transeducar. Arte, Docencia Y Derechos LGTB
Pulso: Revista de Educación, 2018 Reseña del libro: Huerta, R.(2017).
Rafael M. Mérida Jiménez
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