Results 101 to 110 of about 25,781 (244)
Liturgy O.C.S.O., 1972, vol. 6, no. 1 (March)
, 1972 Liturgy O.C.S.O. was published by Gethsemani Abbey, Trappist, KY and edited by Father Chrysogonus Waddell from 1966-1999. The journal (at that time a newsletter) began after September 1965 meeting of the Liturgy Commission of the Order of Cistercians of ...
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Engineered Identity: Albanian Nationalism and the Limits of Established Nationalism Theories
Nations and Nationalism, EarlyView.ABSTRACT This article analyses the development of Albanian nationalism as a test case for assessing the explanatory reach of three major approaches to the study of nationalism: modernist, constructivist and historical‐comparative. Rather than privileging a single theoretical framework, the article places these approaches in dialogue, treating them as ...
Alda Kushi
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Renaissance Studies, EarlyView.ABSTRACT Native to America, the pineapple—Ananas comosus (L.) Merr.—delighted the Europeans who came across it. The fruit was mentioned by the voyagers and missionaries who observed and tasted it in the Americas and, from the 1500s onwards, infused reports, chronicles and natural history treatises with colour and flavour.
Teresa Nobre de Carvalho
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Noah's Raven, Noah's Son: The Metamorphoses of Blackness in Early Modern Readings of Genesis 8‐9
Renaissance Studies, EarlyView.ABSTRACT Over the past half‐century, scholars have offered various theories to explain when and how an aetiology for black skin became part of the reception history of the so‐called Curse of Ham in Genesis 9—a text that does not include any reference to skin colour.
Ashleigh Elser
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Sources for the liturgy of Canterbury Cathedral in the central Middle Ages [PDF]
, 2013 Recent research suggests there is a large quantity of surviving evidence for the liturgical texts written at Canterbury Cathedral in the central Middle Ages.
Gittos, Helen
core
Notation in Early Modern Language Teaching
Renaissance Studies, EarlyView.ABSTRACT This article examines the use of musical notation as a pedagogical tool in early modern language teaching, focusing on Latin, Greek, Hebrew, and briefly, Turkish. While musical notation is typically associated with performance and composition, the sources discussed here demonstrate its broader application as a visual and conceptual system for ...
Elisabeth Giselbrecht
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Liturgy O.C.S.O., 1971, vol. 5, no. 1 (February)
, 1971 Liturgy O.C.S.O. was published by Gethsemani Abbey, Trappist, KY and edited by Father Chrysogonus Waddell from 1966-1999. The journal (at that time a newsletter) began after September 1965 meeting of the Liturgy Commission of the Order of Cistercians of ...
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Performing Papal Supremacy: Niccolò Cieco's Capitoli for Martin V and Eugenius IV
Renaissance Studies, EarlyView.ABSTRACT This article analyses two poems performed by the blind oral poet (or canterino) Niccolò Cieco of Arezzo for the first two popes elected after the Great Schism, Martin V and Eugenius IV. It argues that Niccolò's characterisation of the papal office must be understood in relation to both medieval canon law and contemporary ecclesiological ...
Isaac Figliuoli
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PROTOPRESBYTER ALEXANDER SCHMEMANN ON THE COMMON AND THE PERSONAL IN THE DIVINE LITURGY
Концепт: философия, религия, культура, 2017 The article, for the first time in Russian research, studies the view of protopresbyter Alexander Schmemann on the issue of the relationship between the common and the personal in the Divine liturgy.
V. V. Pechatnov
doaj