Results 121 to 130 of about 17,242 (266)

Liturgy O.C.S.O., 1973, vol. 7, no. 2 (June) [PDF]

open access: yes, 1973
Liturgy O.C.S.O. was published by Gethsemani Abbey, Trappist, KY and edited by Father Chrysogonus Waddell from 1966-1999. The journal (at that time a newsletter) began after September 1965 meeting of the Liturgy Commission of the Order of Cistercians of ...

core  

What Does Intarsia Say? Materiality and Spirituality in the Urbino Studiolo☆

open access: yesRenaissance Studies, EarlyView.
Abstract Upon entering the Urbino studiolo of Federico da Montefeltro, the visitor is struck by a material‐charged environment. Surprisingly, only a few scholars have addressed one prominent aspect of the decorative scheme, namely, the feature of intarsia as a medium. Even so, it remains on the sidelines of the discussion.
Matan Aviel
wiley   +1 more source

Liturgy O.C.S.O., 1996, vol. 30, no. 1 [PDF]

open access: yes, 1996
Liturgy O.C.S.O. was published by Gethsemani Abbey, Trappist, KY and edited by Father Chrysogonus Waddell from 1966-1999. The journal (at that time a newsletter) began after September 1965 meeting of the Liturgy Commission of the Order of Cistercians of ...

core  

‘There Has Been a Scandal’: Cultural Performers and the Strangers’ Churches of London

open access: yesRenaissance Studies, EarlyView.
ABSTRACT Despite what one might assume to have been a rigid line between London's refugee community—with its strict brand of Protestantism—and the city's performance cultures—often the target of strict Protestants' ire—historical records reveal a number of overlaps between those domains.
Matteo Pangallo
wiley   +1 more source

Liturgy O.C.S.O., 1994, vol. 28, no. 1 [PDF]

open access: yes, 1994
Liturgy O.C.S.O. was published by Gethsemani Abbey, Trappist, KY and edited by Father Chrysogonus Waddell from 1966-1999. The journal (at that time a newsletter) began after September 1965 meeting of the Liturgy Commission of the Order of Cistercians of ...

core  

Free Expression and Coerced Choice: The Role of the Army and Lord Protector in Miltonic Freedom

open access: yesRenaissance Studies, EarlyView.
ABSTRACT Scholarly approaches to understanding freedom in Milton's prose tend to connect Milton's ideas to either liberalism or republicanism. Neither of these approaches is sufficient because freedom, for Milton, was not a single concept. Milton explored political and religious freedom very differently.
Benjamin Woodford
wiley   +1 more source

Liturgy O.C.S.O., 1995, vol. 29, no. 1 [PDF]

open access: yes, 1995
Liturgy O.C.S.O. was published by Gethsemani Abbey, Trappist, KY and edited by Father Chrysogonus Waddell from 1966-1999. The journal (at that time a newsletter) began after September 1965 meeting of the Liturgy Commission of the Order of Cistercians of ...

core  

A Journey Between Science and the Arts: Templates for the Depiction of the Pineapple (Sixteenth to Eighteenth Centuries)

open access: yesRenaissance Studies, EarlyView.
ABSTRACT Native to America, the pineapple—Ananas comosus (L.) Merr.—delighted the Europeans who came across it. The fruit was mentioned by the voyagers and missionaries who observed and tasted it in the Americas and, from the 1500s onwards, infused reports, chronicles and natural history treatises with colour and flavour.
Teresa Nobre de Carvalho
wiley   +1 more source

Liturgy O.C.S.O., 1983, vol. 17, no. 1 (February) [PDF]

open access: yes, 1983
Liturgy O.C.S.O. was published by Gethsemani Abbey, Trappist, KY and edited by Father Chrysogonus Waddell from 1966-1999. The journal (at that time a newsletter) began after September 1965 meeting of the Liturgy Commission of the Order of Cistercians of ...

core  

Noah's Raven, Noah's Son: The Metamorphoses of Blackness in Early Modern Readings of Genesis 8‐9

open access: yesRenaissance Studies, EarlyView.
ABSTRACT Over the past half‐century, scholars have offered various theories to explain when and how an aetiology for black skin became part of the reception history of the so‐called Curse of Ham in Genesis 9—a text that does not include any reference to skin colour.
Ashleigh Elser
wiley   +1 more source

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