Results 121 to 130 of about 2,038,744 (339)

Algorithms as Scores: Coding Live Music [PDF]

open access: yesLeonardo Music Journal, 2011
The author discusses live coding as a new path in the evolution of the musical score. Live-coding practice accentuates the score, and whilst it is the perfect vehicle for the performance of algorithmic music it also transforms the compositional process itself into a live event.
openaire   +2 more sources

Inquiry into the extent, benefits and potential of music education in Victorian schools [PDF]

open access: yes, 2013
This inquiry examined the quality and accessibility of school music education in Victoria.Executive summaryMusic is an integral part of the society we live in, providing a vehicle through which humans can communicate, express emotions and increase their ...

core  

Brexit and the UK Live Music Industry [PDF]

open access: yes, 2022
This chapter examines how the UK’s live music industry will be affected by ‘Brexit’ –withdrawal from the European Union (EU). The data suggest that live music is of significant value to the UK economy and point towards the importance of unobstructed ...
Rozbicka, Patrycja   +2 more
core  

Event‐ and Time‐Based Prospective Memory and Time Perception in Autistic Adults With and Without Intellectual Disabilities

open access: yesAutism Research, EarlyView.
ABSTRACT The aim of this study was to examine time perception (i.e., the sense of the duration, order and passage of time) and event‐ and time‐based prospective memory (PM; i.e., the ability to recall an intention to perform an action in the future) in adults across the wider autism spectrum including those with intellectual disabilities.
Daniela Nürnberg, Mareike Altgassen
wiley   +1 more source

Capturing differences in perception and aesthetic judgment of live or medially presented music: development of a self-report instrument

open access: yesFrontiers in Psychology
Nowadays there are multiple ways to perceive music, from attending concerts (live) to listening to recorded music through headphones (medial). In between there are many mixed modes, such as playback performances.
Larina Sue Meinel   +3 more
doaj   +1 more source

Music Arena: Live Evaluation for Text-to-Music

open access: yesCoRR
NeurIPS 2025 Creative AI ...
Yonghyun Kim   +7 more
openaire   +2 more sources

‘It’s a-me, Mario!’ Exploring dynamic changes and similarities in the composition of early Nintendo video game music [PDF]

open access: yes, 2016
As with films, a thoughtfully composed video game soundtrack has the ability to dramatically enhance and elevate the experience for the audience or player. This article explores the potential issues and difficulties of composing for video game systems by
Fox, James Anthony
core   +1 more source

Live … as you've always heard it before

open access: yes, 2021
Since the late 1960's, the studio production of rock music has frequently relied heavily on technology as a means of creating a richer and deeper sound than could necessarily be achieved in a live context by the artist. A salient example of this is Queen'
Andy Bennett, Bennett, A
core   +1 more source

Formative feedback to improve pharmacology learning: Proposed principles and guidelines for effective practice

open access: yesBritish Journal of Clinical Pharmacology, EarlyView.
Abstract Aims To learn effectively, students need timely, specific, actionable feedback—known as formative feedback—on what and how well they are learning and on how to improve further. Providing effective feedback to help students learn pharmacology is a complex task.
Thomas Anthony Angelo
wiley   +1 more source

Managing a live music performance: A supply-side analysis

open access: yesActa Commercii, 2015
Purpose and objective: The purpose of this research is to determine what managers regard as important critical success factors in ensuring a memorable visitor experience at a live music performance.
Bianca Manners   +2 more
doaj   +1 more source

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