How Live Music Moves Us: Head Movement Differences in Audiences to Live Versus Recorded Music [PDF]
Frontiers in Psychology, 2019 A live music concert is a pleasurable social event that is among the most visceral and memorable forms of musical engagement. But what inspires listeners to attend concerts, sometimes at great expense, when they could listen to recordings at home?
Dana Swarbrick +15 more
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Emotional Effects of Live and Recorded Music in Various Audiences and Listening Situations [PDF]
Medicines, 2019 Background: We assume that the emotional response to music would correspond to increased levels of arousal, and that the valence of the music exemplified by sad or joyful music would be reflected in the listener, and that calming music would reduce ...
Töres Theorell, Eva Bojner Horwitz
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Live and Recorded Music Interventions to Reduce Postoperative Pain: Protocol for a Nonrandomized Controlled Trial [PDF]
JMIR Research Protocols, 2023 BackgroundPostoperative patients who were previously engaged in the live musical intervention Meaningful Music in Healthcare reported significantly reduced perception of pain than patients without the intervention.
Eleanor E Harding +2 more
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Mothers as Home DJs: Recorded Music and Young Children’s Well-Being During the COVID-19 Pandemic [PDF]
Frontiers in Psychology, 2021 As the COVID-19 pandemic continues to disrupt our lives in unimagined ways, families are reinventing daily rituals, and this is likely true for musical rituals.
Eun Cho, Beatriz Senoi Ilari
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Quantifying auditory temporal stability in a large database of recorded music. [PDF]
PLoS ONE, 2014 "Moving to the beat" is both one of the most basic and one of the most profound means by which humans (and a few other species) interact with music. Computer algorithms that detect the precise temporal location of beats (i.e., pulses of musical "energy")
Robert J Ellis, Zhiyan Duan, Ye Wang
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Consumption Habits of Recorded Music: Determinants of Flamenco Albums Acquisition
SAGE Open, 2023 The article analyses the determinants of acquisition of flamenco albums. Flamenco is a musical genre recognized by UNESCO as intangible heritage of humanity. A methodology divided into three phases has been used for this purpose: firstly, interviews with
Jesús Heredia-Carroza +3 more
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On the “uniform pricing puzzle” in recorded music [PDF]
Information Economics and Policy, 2016 Abstract This paper proposes a possible explanation for uniform pricing in the recorded music industry, based on a pooling equilibrium across different quality types. We show that an ex ante ability to invest in the probability of success – which we identify with record companies’ artists and repertoire (A&R) expenditures – makes such a pooling ...
Frank Stähler, Martin Richardson
exaly +4 more sources
The impact of COVID-19 on music consumption and music spending
PLoS ONE, 2022 COVID-19 induced restrictions ordered by governments around the world have been an exogenous shock to the music industry, which we divide into two affected groups: 1) live music events and 2) recorded music.
Janis Denk +3 more
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How do ethnically congruent music and meal drive food choices?
Current Research in Food Science, 2023 Playing ethnic music in restaurants increases consumer experience. Studies show, furthermore, that ethnic congruence of music and food affects food selection but not the liking of customers.
Dorina Szakál +3 more
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Gramophone records of the singer Mijat Mijatović: From (re)construction of discography to the study of recorded music [PDF]
Muzikologija, 2022 The study of gramophone records is important when acquainting oneself with Mijat Mijatović (1887-1937), who strongly impacted so-called folk music in the Kingdom of Serbs, Croats and Slovenes / Yugoslavia, considering the importance of the ...
Lajić-Mihajlović Danka +2 more
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