How Live Music Moves Us: Head Movement Differences in Audiences to Live Versus Recorded Music [PDF]
A live music concert is a pleasurable social event that is among the most visceral and memorable forms of musical engagement. But what inspires listeners to attend concerts, sometimes at great expense, when they could listen to recordings at home?
Dana Swarbrick +15 more
doaj +5 more sources
Emotional Effects of Live and Recorded Music in Various Audiences and Listening Situations [PDF]
Background: We assume that the emotional response to music would correspond to increased levels of arousal, and that the valence of the music exemplified by sad or joyful music would be reflected in the listener, and that calming music would reduce ...
Töres Theorell, Eva Bojner Horwitz
doaj +5 more sources
Mothers as Home DJs: Recorded Music and Young Children’s Well-Being During the COVID-19 Pandemic [PDF]
As the COVID-19 pandemic continues to disrupt our lives in unimagined ways, families are reinventing daily rituals, and this is likely true for musical rituals.
Eun Cho, Beatriz Senoi Ilari
doaj +3 more sources
Going means trouble and staying makes it double: the value of licensing recorded music online [PDF]
This paper discusses whether a copyright compensation system (CCS) for recorded music—endowing private Internet subscribers with the right to download and use works in return for a fee—would be welfare increasing.
A Alberini +47 more
core +9 more sources
Consumption Habits of Recorded Music: Determinants of Flamenco Albums Acquisition
The article analyses the determinants of acquisition of flamenco albums. Flamenco is a musical genre recognized by UNESCO as intangible heritage of humanity. A methodology divided into three phases has been used for this purpose: firstly, interviews with
Jesús Heredia-Carroza +3 more
doaj +2 more sources
BackgroundPostoperative patients who were previously engaged in the live musical intervention Meaningful Music in Healthcare reported significantly reduced perception of pain than patients without the intervention.
Eleanor E Harding +2 more
doaj +2 more sources
Quantifying auditory temporal stability in a large database of recorded music. [PDF]
"Moving to the beat" is both one of the most basic and one of the most profound means by which humans (and a few other species) interact with music. Computer algorithms that detect the precise temporal location of beats (i.e., pulses of musical "energy")
Robert J Ellis, Zhiyan Duan, Ye Wang
doaj +2 more sources
Video Killed the Radio Star? Online Music Videos and Recorded Music Sales
We study how online video platforms affect the sales volume and sales distribution of recorded music. To do so, we study two events that removed and then partially restored access to online music videos for consumers in Germany.
Tobias Kretschmer, Christian Peukert
semanticscholar +3 more sources
Why buy an album? The motivations behind recorded music purchases [PDF]
Brown, Steven Caldwell, Knox, Don
core +3 more sources
The impact of COVID-19 on music consumption and music spending
COVID-19 induced restrictions ordered by governments around the world have been an exogenous shock to the music industry, which we divide into two affected groups: 1) live music events and 2) recorded music.
Janis Denk +3 more
doaj +2 more sources

