Results 1 to 10 of about 1,140 (211)

Emotional Effects of Live and Recorded Music in Various Audiences and Listening Situations

open access: yesMedicines, 2019
Background: We assume that the emotional response to music would correspond to increased levels of arousal, and that the valence of the music exemplified by sad or joyful music would be reflected in the listener, and that calming music would reduce ...
Töres Theorell, Eva Bojner Horwitz
doaj   +3 more sources

Consumption Habits of Recorded Music: Determinants of Flamenco Albums Acquisition

open access: yesSAGE Open, 2023
The article analyses the determinants of acquisition of flamenco albums. Flamenco is a musical genre recognized by UNESCO as intangible heritage of humanity. A methodology divided into three phases has been used for this purpose: firstly, interviews with
Jesús Heredia-Carroza   +3 more
doaj   +2 more sources

How Live Music Moves Us: Head Movement Differences in Audiences to Live Versus Recorded Music

open access: yesFrontiers in Psychology, 2019
A live music concert is a pleasurable social event that is among the most visceral and memorable forms of musical engagement. But what inspires listeners to attend concerts, sometimes at great expense, when they could listen to recordings at home?
Dana Swarbrick   +15 more
doaj   +3 more sources

On the “uniform pricing puzzle” in recorded music [PDF]

open access: yesInformation Economics and Policy, 2016
Abstract This paper proposes a possible explanation for uniform pricing in the recorded music industry, based on a pooling equilibrium across different quality types. We show that an ex ante ability to invest in the probability of success – which we identify with record companies’ artists and repertoire (A&R) expenditures – makes such a pooling ...
Martin Richardson, Frank Stähler
exaly   +4 more sources

The impact of COVID-19 on music consumption and music spending

open access: yesPLoS ONE, 2022
COVID-19 induced restrictions ordered by governments around the world have been an exogenous shock to the music industry, which we divide into two affected groups: 1) live music events and 2) recorded music.
Janis Denk   +3 more
doaj   +2 more sources

Live and Recorded Music Interventions to Reduce Postoperative Pain: Protocol for a Nonrandomized Controlled Trial

open access: yesJMIR Research Protocols, 2023
BackgroundPostoperative patients who were previously engaged in the live musical intervention Meaningful Music in Healthcare reported significantly reduced perception of pain than patients without the intervention.
Eleanor E Harding   +2 more
doaj   +1 more source

How do ethnically congruent music and meal drive food choices?

open access: yesCurrent Research in Food Science, 2023
Playing ethnic music in restaurants increases consumer experience. Studies show, furthermore, that ethnic congruence of music and food affects food selection but not the liking of customers.
Dorina Szakál   +3 more
doaj   +1 more source

Perceiving Sound Objects in the Musique Concrète

open access: yesFrontiers in Psychology, 2021
In the late 1940s and early 1950s, there emerged a radically new kind of music based on recorded environmental sounds instead of sounds of traditional Western musical instruments.
Rolf Inge Godøy, Rolf Inge Godøy
doaj   +1 more source

Gramophone records of the singer Mijat Mijatović: From (re)construction of discography to the study of recorded music [PDF]

open access: yesMuzikologija, 2022
The study of gramophone records is important when acquainting oneself with Mijat Mijatović (1887-1937), who strongly impacted so-called folk music in the Kingdom of Serbs, Croats and Slovenes / Yugoslavia, considering the importance of the ...
Lajić-Mihajlović Danka   +2 more
doaj   +1 more source

Piracy Revisited: Exploring Music Users in the Age of Technology Dependency

open access: yesScientific Annals of Economics and Business, 2019
This paper empirically investigates and characterizes users of recorded music, both downloaders and purchasers. To this end we analyse the role of the variables defining the different segments of music users.
Manuel Cuadrado-García   +2 more
doaj   +1 more source

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