Results 11 to 20 of about 2,981,626 (274)
User-Influenced/Machine-Controlled Playback: The variPlay Music App Format for Interactive Recorded Music [PDF]
Arts, 2019 This paper concerns itself with an autoethnography of the five-year ‘variPlay’ project. This project drew from three consecutive rounds of research funding to develop an app format that could host both user interactivity to change the sound ...
Justin Paterson +2 more
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Interactive Recorded Music: Past, Present and Future [PDF]
, 2018 This Engineering Brief charts the story of user-interactivity with recorded music. Audio technologies and creative compositional techniques are discussed with particular regard to scenarios where creativity has driven the demand for technological advance,
Toulson, R., Paterson, J
core +6 more sources
The impact of music downloads and P2P file-sharing on the purchase of music in Canada [PDF]
, 2008 This study measures the extent to which free music downloads, including the use of P2P file sharing networks, act as substitutes or complements to music purchase in markets for CDs and electronic delivered music (such as MP3).
Frenz, Marion, Andersen, Birgitte
core +8 more sources
Piracy Revisited: Exploring Music Users in the Age of Technology Dependency
Scientific Annals of Economics and Business, 2019 This paper empirically investigates and characterizes users of recorded music, both downloaders and purchasers. To this end we analyse the role of the variables defining the different segments of music users.
Manuel Cuadrado-García +2 more
doaj +1 more source
Perceiving Sound Objects in the Musique Concrète
Frontiers in Psychology, 2021 In the late 1940s and early 1950s, there emerged a radically new kind of music based on recorded environmental sounds instead of sounds of traditional Western musical instruments.
Rolf Inge Godøy, Rolf Inge Godøy
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Piano Concerto Dataset (PCD): A Multitrack Dataset of Piano Concertos
Transactions of the International Society for Music Information Retrieval, 2023 The piano concerto is a genre of central importance in Western classical music, often consisting of a virtuoso solo part for piano and an orchestral accompaniment.
Yigitcan Özer +5 more
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Muzyka i medium. Szkic historiograficzny od początków do dzisiaj
Images, 2009 Music and Media – From Ancient Times to The Present. A Historical Essay The relationship between music and media is closer than it is obvious at first sight.
Werner Faulstich
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Towards the Feasibility of Instituting a Philippine Digital Audio Library: A Case Study
Journal of ICT in Education, 2021 As a spearhead force in music research, especially in the area of South East Asia region, the University of the Philippines (UP) Center for Ethnomusicology (UPCE) caters to a gigantic collection of audio materials which covers different musics and ...
Jia Li
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Hudba a interpretace : k otázkám analýzy hudebního výkonu
Musicologica Brunensia, 2017 This study presents a current approach to music performance analysis. The analysis of sound recordings is still a relatively new discipline of musicology although the approximate 120 years history of the musical data recording offers a wide range of ...
Lubomír Spurný, Petr Fančal
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Hearing Glenn Gould's Body: Corporeal Liveness in Recorded Music
Current Musicology, 2009 Live music does not exist without its recorded other. In other words, the concept of liveness in music was unknown until there was something not live-recordings-with which to compare it.
Paul Sanden
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