Results 11 to 20 of about 43,755 (256)
Piracy Revisited: Exploring Music Users in the Age of Technology Dependency
Scientific Annals of Economics and Business, 2019 This paper empirically investigates and characterizes users of recorded music, both downloaders and purchasers. To this end we analyse the role of the variables defining the different segments of music users.
Manuel Cuadrado-García +2 more
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Perceiving Sound Objects in the Musique Concrète
Frontiers in Psychology, 2021 In the late 1940s and early 1950s, there emerged a radically new kind of music based on recorded environmental sounds instead of sounds of traditional Western musical instruments.
Rolf Inge Godøy, Rolf Inge Godøy
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Piano Concerto Dataset (PCD): A Multitrack Dataset of Piano Concertos
Transactions of the International Society for Music Information Retrieval, 2023 The piano concerto is a genre of central importance in Western classical music, often consisting of a virtuoso solo part for piano and an orchestral accompaniment.
Yigitcan Özer +5 more
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Towards the Feasibility of Instituting a Philippine Digital Audio Library: A Case Study
Journal of ICT in Education, 2021 As a spearhead force in music research, especially in the area of South East Asia region, the University of the Philippines (UP) Center for Ethnomusicology (UPCE) caters to a gigantic collection of audio materials which covers different musics and ...
Jia Li
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Muzyka i medium. Szkic historiograficzny od początków do dzisiaj
Images, 2009 Music and Media – From Ancient Times to The Present. A Historical Essay The relationship between music and media is closer than it is obvious at first sight.
Werner Faulstich
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Arts, 2019 This paper concerns itself with an autoethnography of the five-year ‘variPlay’ project. This project drew from three consecutive rounds of research funding to develop an app format that could host both user interactivity to change the sound ...
Justin Paterson +2 more
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Hudba a interpretace : k otázkám analýzy hudebního výkonu
Musicologica Brunensia, 2017 This study presents a current approach to music performance analysis. The analysis of sound recordings is still a relatively new discipline of musicology although the approximate 120 years history of the musical data recording offers a wide range of ...
Lubomír Spurný, Petr Fančal
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Hearing Glenn Gould's Body: Corporeal Liveness in Recorded Music
Current Musicology, 2009 Live music does not exist without its recorded other. In other words, the concept of liveness in music was unknown until there was something not live-recordings-with which to compare it.
Paul Sanden
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Estimating note intensities in music recordings [PDF]
2011 IEEE International Conference on Acoustics, Speech and Signal Processing (ICASSP), 2011 In this paper, we present automated methods for estimating note intensities in music recordings. Given a MIDI file (representing the score) and an audio recording (representing an interpretation) of a piece of music, our idea is to parametrize the spectrogram of the audio recording by exploiting the MIDI information and then to estimate the note ...
Sebastian Ewert, Meinard Müller
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The ontology of rock music: Recordings, performances and the synthetic view [PDF]
Filozofija i Društvo, 2019 This paper discusses the state-of-the-art dispute over the ontological question of rock music: what is the work of art, or the central work-kind, of rock music, if any?
Luzio Hugo
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