Results 211 to 220 of about 71,887 (259)
Some of the next articles are maybe not open access.
TOuch ThE Music: Displaying Live Music into Vibration
2022This paper reports on “TOTEM” (TOuch ThE Music), a project aiming at finding inclusive solutions to foster the d/Deaf’s participation to live music concerts. In particular, the development of a portable device that transforms live music signals into symbolic vibrations is described.
Paté, Arthur +3 more
openaire +2 more sources
Live music studies in perspective
2021Live music has been an object of academic enquiry for several decades, though for much of that time it was not regarded or discussed explicitly as a specific field of study. In the twenty-first century, we have seen a surge of interest in researching gigs, tours, concerts, and festivals from a variety of approaches.
Anderton, Chris; id_orcid 0000-0003-0835-3989 +1 more
openaire +2 more sources
2007
It is perhaps a general human habit to view the technological and the organic as opposites. It is certainly the case that the phrase ‘live electronic music’ strikes many a music fan as oxymoronic. Isn't the purpose of electronics to do things for us so we don't have to do them ‘live’ ourselves?
openaire +1 more source
It is perhaps a general human habit to view the technological and the organic as opposites. It is certainly the case that the phrase ‘live electronic music’ strikes many a music fan as oxymoronic. Isn't the purpose of electronics to do things for us so we don't have to do them ‘live’ ourselves?
openaire +1 more source
Live music in the ICU: A qualitative study of music students’ perspectives
Musicae ScientiaeThe aim of this hermeneutic-phenomenological study was to explore how 26 music students experienced their artistic practice in and adapted to the intensive care environment. The students participated in a standardized training and performance program, offering patient-tailored music interventions for patients in the intensive care ...
Margrethe Langer Bro +6 more
openaire +2 more sources
Living in the (Publishing) House of Music
2019From William Billings’s self-published scores in the 1770s to Carla Bley and Michael Mantler’s New Music Distribution Service (NMDS) in the 1970s and beyond, composer-driven publishing and distribution efforts have aided the survival of independent and experimental music in the United States since the very first volumes of original music came into ...
openaire +1 more source
Why Live Music Matters: Implications from Streaming Music Festivals in the Chinese Indie Music Scene
Cultural Sociology, 2023Sicong Zhao
exaly
Valuing value in urban live music ecologies: negotiating the impact of live music in the Netherlands
Journal of Cultural Economy, 2022Martijn Mulder +2 more
exaly