Results 281 to 290 of about 2,038,744 (339)
Some of the next articles are maybe not open access.
2020
Lives in Music analyses interwoven patterns of mobility, change, and power in music and dance practices.It challenges some commonly accepted conceptual tools that are ubiquitous in anthropology today, including cultural hybridity, transnational networks, and globalization.
Le Menestrel, Sara +7 more
openaire +2 more sources
Lives in Music analyses interwoven patterns of mobility, change, and power in music and dance practices.It challenges some commonly accepted conceptual tools that are ubiquitous in anthropology today, including cultural hybridity, transnational networks, and globalization.
Le Menestrel, Sara +7 more
openaire +2 more sources
The unifying power of live music events: A systematic review of social outcomes for audience members
Music & ScienceLive music events (including concerts, shows, and festivals) have been central to community gatherings for many years, but the extent to which audience members experience social benefits during these events is not yet clear. In this systematic review, we
Nikki S Rickard +3 more
semanticscholar +1 more source
The History of Live Music in Britain, Volume 3, 1985–2015
, 2021To date there has been a significant gap in existing knowledge about the social history of music in Britain from 1950 to the present day. The three volumes of Live Music in Britain address this gap and do so through a unique prism - that of live music ...
S. Frith +3 more
semanticscholar +1 more source
Personality and Social Psychology Bulletin
This work examined the power of live music events to enhance wellbeing through collective effervescence (CE)—the sense of sacredness and connection felt when in large groups. Four studies (N = 789) using both university and community samples examined the
Nicole Koefler +5 more
semanticscholar +1 more source
This work examined the power of live music events to enhance wellbeing through collective effervescence (CE)—the sense of sacredness and connection felt when in large groups. Four studies (N = 789) using both university and community samples examined the
Nicole Koefler +5 more
semanticscholar +1 more source
Patients' Perceptions of Virtual Live Music in the Intensive Care Unit.
American Journal of Critical CareBACKGROUND Implementing music in the intensive care unit has increased in popularity because the environment can be stressful and anxiety inducing for many patients.
Alexandra L. Bruder +4 more
semanticscholar +1 more source
TOuch ThE Music: Displaying Live Music into Vibration
2022This paper reports on “TOTEM” (TOuch ThE Music), a project aiming at finding inclusive solutions to foster the d/Deaf’s participation to live music concerts. In particular, the development of a portable device that transforms live music signals into symbolic vibrations is described.
Paté, Arthur +3 more
openaire +2 more sources
Cultural branding of cities: the role of live music in building a city’s brand
Cultural TrendsThis research explores the role of live music infrastructure and music cultural identity in building a city’s brand through a multiple case study comparing the cities of Rio de Janeiro, Brazil and Montreal, Canada. We conducted 60 interviews and observed
Alessandra Baiocchi +3 more
semanticscholar +1 more source
Live music studies in perspective
2021Live music has been an object of academic enquiry for several decades, though for much of that time it was not regarded or discussed explicitly as a specific field of study. In the twenty-first century, we have seen a surge of interest in researching gigs, tours, concerts, and festivals from a variety of approaches.
Anderton, Chris; id_orcid 0000-0003-0835-3989 +1 more
openaire +2 more sources
2007
It is perhaps a general human habit to view the technological and the organic as opposites. It is certainly the case that the phrase ‘live electronic music’ strikes many a music fan as oxymoronic. Isn't the purpose of electronics to do things for us so we don't have to do them ‘live’ ourselves?
openaire +1 more source
It is perhaps a general human habit to view the technological and the organic as opposites. It is certainly the case that the phrase ‘live electronic music’ strikes many a music fan as oxymoronic. Isn't the purpose of electronics to do things for us so we don't have to do them ‘live’ ourselves?
openaire +1 more source