Results 1 to 10 of about 676 (143)
Note linguistiche su "Senso" di Luchino Visconti
Lingue e culture dei media, 2022 Fin dalla sua uscita nel 1954, Senso, il film di Luchino Visconti tratto dall’eponimo racconto di Camillo Boito (1883), ha suscitato l’attenzione degli studiosi. Mancava però uno studio dedicato agli aspetti linguistici.
Mario Piotti
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The riddle of style changes in the visual arts after interference with the right brain. [PDF]
Front Hum Neurosci, 2011 What is visual art? What are paintings? What are films? Although innumerous answers have been proposed to these questions, we here analyze the paintings and films of several visual artists, who suffered from a well-defined neuropsychological deficit ...
Blanke O, Pasqualini I.
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Iperstoria, 2014 Recensione di Morte a Venezia. Thomas Mann/Luchino Visconti: un confronto, a cura di Francesco Bono, Luigi Cimmino e Giorgio Pangaro.
Matteo Sanfilippo
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Tennessee Williams and Luchino Visconti
RSA Journal, 2014 The essay traces the early history of Williams’ theatre in Italy, on the background of the cultural conditions of the country in the PostWar years. The Glass Menagerie and A Streetcar Named Desire were presented to Italian audiences for the first time ...
Alessandro Clericuzio
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Cahiers D’Études Romanes, 1998 Dans cet article sont examinés sept films italiens où un naufrage est évoqué ou mis en scène. Ainsi passe-t-on du cinéma “engagé” aux films commerciaux et à la comédie satirique, pour mettre ainsi en lumière, à travers l’évolution qu’elle illustre, celle
Claire Vovelle-Guidi
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Oltrepassare la soglia della morale: delitto, giustizia, suicidio
Archivio d’Annunzio, 2021 The essay is about the film L’innocente by Luchino Visconti based on the novel by Gabriele d’Annunzio (1892). Accused of immorality, the literary text, decisive for the work of the Italian writer and dramatist, narrates – in the movie – the story of ...
Borin, Fabrizio
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Da Luchino a Giovanni: gli eserciti della grande espansione viscontea (1339-1354)
Nuova Antologia Militare, 2022 During the years of the government of Luchino and Giovanni Visconti (1339-1354), Europe was raged by rampant natural disasters such as the plague epidemic, nevertheless for the lords of Milan were decades of technological innovations, great achievements,
Fabio Romanoni
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Cinergie, 2018 The idea behind this videoessay is that actor Paolo Villaggio has been gradually "swallowed" by his most famous character, the humble accountant Ugo Fantozzi, of which Villaggio, in his television debut, told the misadventures using third person ...
Gabriele Gimmelli, Andrea Miele
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Moving Stills: Portraiture and Superficial Ties in Two Visconti Films
Fotocinema: Revista Científica de Cine y Fotografía, 2013 Este ensayo se centra en dos películas dirigidas por Luchino Visconti, La terra trema (1948) y Rocco e i suoi fratelli (1960) estudiadas bajo la lente de discursos sobre la Cuestión Meridional (la subyugación del sur por el norte propia del proceso de ...
Juan Sebastián Ospina Léon
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Uma novela, um filme, o amor e a morte em Veneza
Forma Breve, 2013 Este artigo compara a novela A morte em Veneza, de Thomas Mann, com sua versão cinematográfica, dirigida por Luchino Visconti.
Luiz Gonzaga Marchezan
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