Results 1 to 10 of about 4,542 (149)
Luis II de Baviera y Luchino Visconti: ¿vidas paralelas? Estudio sobre Luis II de Baviera [PDF]
Área Abierta, 2016 En esta investigación se presenta la figura de un personaje histórico como fue Luis II de Baviera (1845-1886) y la visión que sobre él y su reinado realizó para el cine el director italiano Luchino Visconti.
Juan García Crego +1 more
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The riddle of style changes in the visual arts after interference with the right brain [PDF]
Frontiers in Human Neuroscience, 2012 What is visual art? What are paintings? What are films? Although innumerous answers have been proposed to these questions, we here analyze the paintings and films of several visual artists, who suffered from a well-defined neuropsychological deficit ...
Olaf eBlanke, Isabella ePasqualini
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Tennessee Williams and Luchino Visconti
RSA Journal, 2014 The essay traces the early history of Williams’ theatre in Italy, on the background of the cultural conditions of the country in the PostWar years. The Glass Menagerie and A Streetcar Named Desire were presented to Italian audiences for the first time ...
Alessandro Clericuzio
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Elsa Morante and the Cinema: "L’Isola di Arturo" by Damiano Damiani [PDF]
Cuadernos de Filología Italiana, 2015 Although its intensity and duration, the relation between Elsa Morante and the cinema is less studied by the critics, perhaps because of the scarceness of information.
Marco Bardini
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El universo melodramático de Tennessee Williams y de Luchino Visconti: Senso, un encuentro fílmico [PDF]
Zibaldone: Estudios Italianos, 2017 El melodrama es uno de los géneros más cultivados por el dramaturgo norteamericano Tennessee Williams y el cineasta italiano Luchino Visconti. El escritor acababa de tener un rotundo éxito en Broadway con Un tranvía llamado deseo (1947) cuando se ...
Valeriano Durán Manso
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Cahiers D’Études Romanes, 1998 Dans cet article sont examinés sept films italiens où un naufrage est évoqué ou mis en scène. Ainsi passe-t-on du cinéma “engagé” aux films commerciaux et à la comédie satirique, pour mettre ainsi en lumière, à travers l’évolution qu’elle illustre, celle
Claire Vovelle-Guidi
exaly +3 more sources
Note linguistiche su "Senso" di Luchino Visconti
Lingue e culture dei media, 2022 Fin dalla sua uscita nel 1954, Senso, il film di Luchino Visconti tratto dall’eponimo racconto di Camillo Boito (1883), ha suscitato l’attenzione degli studiosi. Mancava però uno studio dedicato agli aspetti linguistici.
Mario Piotti
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Oltrepassare la soglia della morale: delitto, giustizia, suicidio
Archivio d’Annunzio, 2021 The essay is about the film L’innocente by Luchino Visconti based on the novel by Gabriele d’Annunzio (1892). Accused of immorality, the literary text, decisive for the work of the Italian writer and dramatist, narrates – in the movie – the story of ...
Borin, Fabrizio
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Da Luchino a Giovanni: gli eserciti della grande espansione viscontea (1339-1354)
Nuova Antologia Militare, 2022 During the years of the government of Luchino and Giovanni Visconti (1339-1354), Europe was raged by rampant natural disasters such as the plague epidemic, nevertheless for the lords of Milan were decades of technological innovations, great achievements,
Fabio Romanoni
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Cinergie, 2018 The idea behind this videoessay is that actor Paolo Villaggio has been gradually "swallowed" by his most famous character, the humble accountant Ugo Fantozzi, of which Villaggio, in his television debut, told the misadventures using third person ...
Gabriele Gimmelli, Andrea Miele
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