Results 21 to 30 of about 676 (143)

Luchino Visconti’nin (Yeni) Gerçekçi Tutku’su

Selçuk Üniversitesi Sosyal Bilimler Enstitüsü Dergisi, 2022
Sinemasal anlatılarda çoğunlukla erkeklerin hikâyelerine yer verilmekte kadın karakterler ikinci planda kalmaktadır. Bu kadın karakterler de toplumsal cinsiyete dair kabul edilen öngörülerin sınırları içinde beyazperdede boy göstermektedir.
Aslı Ekici
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Elvira (detta Rina) Morelli

Drammaturgia, 2020
Born into a  family of actors, Rina Morelli had a reserved and shy nature. Endowed with an instinctive interpretative sensibility and a refined stylistic prowess, she imposed herself as an internationally renowned theatre actress.
Leonardo Spinelli
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In Pompeii and Volterra the Earth Really Trembles: De-Territorialisation, European Art-Cinema, and the Fate of Neorealism in Roberto Rossellini's Journey to ltaly and Luchino Visconti's Sandra

Significação: Revista de Cultura Audiovisual, 2007
Este trabalho se utiliza de dois estudos de caso - Viagem to Italy (1953), de Roberto Rossellini e Sandra (1965), de Luchino Visconti para discutir questões políticas, historiográficas e estéticas [que interferem] no relacionamento entre o neo-realismo ...
Stefano Ciammaroni
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L'esperienza artistica di Luchino Visconti in chiave performativa

Mantichora, 2020
Reading Luchino Visconti’s artistic experience by performative categories involves the need to consider the relationship between the texts and the public like an essential part of his poethic.
Mauro Giori
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O Sol de Meursault: A tradução intersemiótica do signo solar de O estrangeiro, de Albert Camus, para o cinema e os quadrinhos

TradTerm, 2023
O romance O Estrangeiro, publicado por Albert Camus em 1942, foi adaptado para o cinema uma única vez pelo cineasta italiano Luchino Visconti, em 1967. Em 2013, o artista argelino Jacques Ferrandez adaptou o texto de Camus para os quadrinhos.
Jáder Santana
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Urok, ale i smutek zmierzchu

Kwartalnik Filmowy, 2002
Recenzja książki Alicji Helman Urok zmierzchu. Filmy Luchina Viscontiego (2001). Książka Helman – jednej z niewątpliwie najlepszych znawczyń tak filmów Viscontiego, jak i teorii kina w Polsce – jest wnikliwym chronologicznym omówieniem i interpretacją ...
Andrzej Werner
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A failure in resilience: The corrupting influence of postwar Milan in Visconti’s Rocco and His Brothers

Journal of Design for Resilience in Architecture and Planning, 2022
The 1960 Italian film Rocco and His Brothers (Rocco e i suoi Fratelli) is one of the greatest exemplars of Italian post-war cinema. The film depicts the disintegration and deterritorialization of an immigrant family from Lucania, a southern Italian ...
Hamid Khalili, AnnMarie Brennan
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Oresti di paglia ed Elettre sepolte. Le suggestioni dell’antico in Vaghe stelle dell’Orsa… di Luchino Visconti

Lanx, 2012
Nel preparare Vaghe stelle dell’Orsa…, il regista Luchino Visconti e i suoi sceneggiatori hanno notoriamente tratto ispirazione dalla tragedia greca.
Mauro Giori
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Melodies of Desire and Darkness: Personifying Eros and Thanatos through Film Music in Morte a Venezia and La Pianiste

Türkiye Film Araştırmaları Dergisi, 2023
Sound and music, a significant issue in film studies, and associated phenomena, such as leitmotiv and diegetic/ non-diegetic music are essential notions as they serve many functions in the film experience of the audience.
Fatma Betül Ataş
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Ossessione de Luchino Visconti : sur les lieux du crime

Cahiers d’Études Romanes, 2007
Lorsque Gino rencontre Giovanna, dans une auberge isolée près d’une route nationale, un parfum de sensualité et de meurtre se répand dans l’atmosphère. Les deux marginaux en quête d’un bonheur illusoire se laissent transporter par leur passion, qui les ...
Magali Vogin
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