Results 21 to 30 of about 4,471 (141)

In Pompeii and Volterra the Earth Really Trembles: De-Territorialisation, European Art-Cinema, and the Fate of Neorealism in Roberto Rossellini's Journey to ltaly and Luchino Visconti's Sandra

Significação: Revista de Cultura Audiovisual, 2007
Este trabalho se utiliza de dois estudos de caso - Viagem to Italy (1953), de Roberto Rossellini e Sandra (1965), de Luchino Visconti para discutir questões políticas, historiográficas e estéticas [que interferem] no relacionamento entre o neo-realismo ...
Stefano Ciammaroni
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L'esperienza artistica di Luchino Visconti in chiave performativa

Mantichora, 2020
Reading Luchino Visconti’s artistic experience by performative categories involves the need to consider the relationship between the texts and the public like an essential part of his poethic.
Mauro Giori
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Urok, ale i smutek zmierzchu

Kwartalnik Filmowy, 2002
Recenzja książki Alicji Helman Urok zmierzchu. Filmy Luchina Viscontiego (2001). Książka Helman – jednej z niewątpliwie najlepszych znawczyń tak filmów Viscontiego, jak i teorii kina w Polsce – jest wnikliwym chronologicznym omówieniem i interpretacją ...
Andrzej Werner
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O Sol de Meursault: A tradução intersemiótica do signo solar de O estrangeiro, de Albert Camus, para o cinema e os quadrinhos

TradTerm, 2023
O romance O Estrangeiro, publicado por Albert Camus em 1942, foi adaptado para o cinema uma única vez pelo cineasta italiano Luchino Visconti, em 1967. Em 2013, o artista argelino Jacques Ferrandez adaptou o texto de Camus para os quadrinhos.
Jáder Santana
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Objetividad y narración: emergencias de la verdad [PDF]

, 2009
El origen del neorrealismo italiano proviene de la resistencia cultural al fascismo y de su atracción por el modelo literario americano en la década de los treinta y cuarenta.
Ferrando García, Pablo
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Melodies of Desire and Darkness: Personifying Eros and Thanatos through Film Music in Morte a Venezia and La Pianiste

Türkiye Film Araştırmaları Dergisi, 2023
Sound and music, a significant issue in film studies, and associated phenomena, such as leitmotiv and diegetic/ non-diegetic music are essential notions as they serve many functions in the film experience of the audience.
Fatma Betül Ataş
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Oresti di paglia ed Elettre sepolte. Le suggestioni dell’antico in Vaghe stelle dell’Orsa… di Luchino Visconti

Lanx, 2012
Nel preparare Vaghe stelle dell’Orsa…, il regista Luchino Visconti e i suoi sceneggiatori hanno notoriamente tratto ispirazione dalla tragedia greca.
Mauro Giori
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A failure in resilience: The corrupting influence of postwar Milan in Visconti’s Rocco and His Brothers

Journal of Design for Resilience in Architecture and Planning, 2022
The 1960 Italian film Rocco and His Brothers (Rocco e i suoi Fratelli) is one of the greatest exemplars of Italian post-war cinema. The film depicts the disintegration and deterritorialization of an immigrant family from Lucania, a southern Italian ...
Hamid Khalili, AnnMarie Brennan
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Una biografia per immagini [PDF]

, 2015
Life and work of screen-writer Enrico Medioli (b. 1925), following the criteria of Dizionario Biografico degli Italiani (by Istituto Enciclopedia Italiana), tht is the top of Italian tools (I wrote several items for it)
Medioli, Francesca
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Ossessione de Luchino Visconti : sur les lieux du crime

Cahiers d’Études Romanes, 2007
Lorsque Gino rencontre Giovanna, dans une auberge isolée près d’une route nationale, un parfum de sensualité et de meurtre se répand dans l’atmosphère. Les deux marginaux en quête d’un bonheur illusoire se laissent transporter par leur passion, qui les ...
Magali Vogin
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