Results 111 to 120 of about 2,002 (131)
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The Cinema of Lucrecia Martel, Deborah Martin (2016)
Studies in Spanish & Latin American Cinemas, 2022Review of: The Cinema of Lucrecia Martel, Deborah Martin (2016) Manchester: Manchester University Press, 160 pp., ISBN 978-0-71909-034-9, h/bk, £80.00 ISBN 978-1-52613-942-9, p/bk, £20.00 ISBN 978-1-78499-792-2, e-book, £18 ...
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A Cinema of the Borderlands: Lucrecia Martel’s Zama
2022This chapter continues to examine the theme of moral freedom as a marker of ambiguous cinema via analysis of Lucrecia Martel’s film Zama, specifically the study of its protagonist Don Diego de Zama. It extends and develops Beauvoir’s philosophy of ambiguity by working through the varied work of Latina feminist phenomenologists, Gloria Anzaldúa, María ...
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“I Was Never Afraid,” An Interview with Lucrecia Martel
Film Quarterly, 2018Lucrecia Martel's Zama (2017), set on the outer colonial frontiers of the Spanish Empire during the last decade of the eighteenth century, pushes traditional notions of a colonial adventure tale to its parodic limits. Martel's deliberate use of layered auditory and visual clues, including off-screen space and decentered compositions, creates a state of
Silvia Spitta, Gerd Gemünden
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Maternal Ambivalence in Lucrecia Martels Salta Trilogy
Communications in Humanities ResearchLucrecia Martel is celebrated as one of Argentina's premier female directors, with her distinctive body of work gaining international recognition. This paper delves into Martels oeuvre, particularly her acclaimed Salta Trilogy: The Swamp (2001), The Holy Girl (2004), and The Headless Woman (2008).
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Représentations culturelles : entre imaginaires et réalités chez Lucrecia Martel
2022International ...
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