Results 111 to 120 of about 2,036 (153)
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Lucrecia Martel

2019
This book provides an overview of the films of the Argentine filmmaker Lucrecia Martel, who counts as one of the most accomplished filmmakers from Latin America and as a leading female global auteur. It situates Martel’s cinema in the context of a post-dictatorship, neoliberal democracy, as well as within the emergence of a new wave realism (New ...
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Lucrecia Martel, Zama

2023
Traitant d’un des sujets 2023 et 2024 du Capes d’Espagnol, cet ouvrage propose tout ce dont le candidat a besoin pour passer les épreuves.Comme tous les Clefs-concours, l’ouvrage est structuré en trois parties : - Repères : le contexte historique et artistique; - Problématiques : comprendre les enjeux du programme; - Outils : pour retrouver ...
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The Cinema of Lucrecia Martel, Deborah Martin (2016)

Studies in Spanish & Latin American Cinemas, 2022
Review of: The Cinema of Lucrecia Martel, Deborah Martin (2016) Manchester: Manchester University Press, 160 pp., ISBN 978-0-71909-034-9, h/bk, £80.00 ISBN 978-1-52613-942-9, p/bk, £20.00 ISBN 978-1-78499-792-2, e-book, £18 ...
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A Cinema of the Borderlands: Lucrecia Martel’s Zama

2022
This chapter continues to examine the theme of moral freedom as a marker of ambiguous cinema via analysis of Lucrecia Martel’s film Zama, specifically the study of its protagonist Don Diego de Zama. It extends and develops Beauvoir’s philosophy of ambiguity by working through the varied work of Latina feminist phenomenologists, Gloria Anzaldúa, María ...
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“I Was Never Afraid,” An Interview with Lucrecia Martel

Film Quarterly, 2018
Lucrecia Martel's Zama (2017), set on the outer colonial frontiers of the Spanish Empire during the last decade of the eighteenth century, pushes traditional notions of a colonial adventure tale to its parodic limits. Martel's deliberate use of layered auditory and visual clues, including off-screen space and decentered compositions, creates a state of
Silvia Spitta, Gerd Gemünden
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Maternal Ambivalence in Lucrecia Martels Salta Trilogy

Communications in Humanities Research
Lucrecia Martel is celebrated as one of Argentina's premier female directors, with her distinctive body of work gaining international recognition. This paper delves into Martels oeuvre, particularly her acclaimed Salta Trilogy: The Swamp (2001), The Holy Girl (2004), and The Headless Woman (2008).
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Integrative oncology: Addressing the global challenges of cancer prevention and treatment

Ca-A Cancer Journal for Clinicians, 2022
Jun J Mao,, Msce   +2 more
exaly  

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