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Crisis, Estrangement, and Critique in Lucrecia Martel’s Salta Trilogy
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The Conquest of the Uncomfortable: An Interview with Lucrecia Martel
2022On 20 March 2021, Natalia Christofoletti Barrenha (in Hastings, UK), Julia Kratje (in Buenos Aires, Argentina) and Paul R. Merchant (in Bristol, UK) spoke with Lucrecia Martel (in Salta, Argentina) about her career, some underexplored connections between her films (like humour, or the traits which imbue her films with a certain air of comedy, or ...
Natalia Christofoletti Barrenha +2 more
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Queer-haptic aesthetics in the films of Lucrecia Martel and Albertina Carri
Studies in Spanish and Latin American Cinemas, 2017Abstract Lucrecia Martel and Albertina Carri are contemporaneous Argentine directors whose films are frequently included in the category ‘New Argentine Cinema’. Often interpreted as indictments of bourgeois cultural values, Martel’s La ciénaga/The Swamp (Martel, 2001), La niña santa/The Holy Girl (Martel, 2004) and La mujer sin cabeza ...
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Chapter 15. The Conquest of the Uncomfortable: An Interview with Lucrecia Martel
2022Natalia Christofoletti Barrenha +2 more
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Interviews with Lucrecia Martel
2019DAVID OUBIÑA: La Ciénaga appeared a bit on the sides of the New Argentine Cinema.1 It is included in the term, because the film is part of the same generation and because of its conflictive relation to several dominant films of the preceding cinema, but at the same time its production circumstances differ from films ...
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The Cinema of Lucrecia Martel, Deborah Martin (2016)
Studies in Spanish & Latin American Cinemas, 2022Review of: The Cinema of Lucrecia Martel, Deborah Martin (2016) Manchester: Manchester University Press, 160 pp., ISBN 978-0-71909-034-9, h/bk, £80.00 ISBN 978-1-52613-942-9, p/bk, £20.00 ISBN 978-1-78499-792-2, e-book, £18 ...
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A Cinema of the Borderlands: Lucrecia Martel’s Zama
2022This chapter continues to examine the theme of moral freedom as a marker of ambiguous cinema via analysis of Lucrecia Martel’s film Zama, specifically the study of its protagonist Don Diego de Zama. It extends and develops Beauvoir’s philosophy of ambiguity by working through the varied work of Latina feminist phenomenologists, Gloria Anzaldúa, María ...
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