Results 81 to 90 of about 472 (138)
Female gaze at the cinema: Headless woman by Lucrecia Martel
, 2020 The representativeness of women proposed by the female gaze is necessary to reconfigure ideologies of the patriarchal society in the dominant cinema. This work presents a film that exemplifies the construction of women, from the perspective of the female
Silva, Larissa Danielle Cavaton da
core
Hydrolyzed infant formula and early β-cell autoimmunity: a randomized clinical trial. [PDF]
JAMA, 2014 Knip M +15 more
europepmc +1 more source
452ºF, 2018 Estas reflexiones surgen de la lectura de ciertas reacciones ante Zama de la crítica española, tanto desde el punto de vista histórico como formal.
Nora Catelli
doaj
Growth differences between North American and European children at risk for type 1 diabetes. [PDF]
Pediatr Diabetes, 2012 Nucci AM +10 more
europepmc +1 more source
LOS RELATOS A LA HORA DE LA SIESTA
Question, 2007 La oscuridad de la noche ingresa a la habitación por la ventana de la celda del muerto, la noche está en curso, pero el sol parecehaber dejado su huella en el sofocante calor que reina pese a la brisa diminuta del viento.Tal vez sean las diez, las once ...
Lía G. Gómez
doaj
La ciénaga (2001) de Lucrecia Martel [PDF]
, 2008 Raras veces he podido experimentar una sensación tan pregnante como la vivida en el primer largometraje1 de Lucrecia Martel. La viscosidad y la pegajosidad, generadas por el sopor, la humedad y el calor que se palpa en los planos de la película ...
Ferrando García, Pablo
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The authorship of the body in Lucrecia Martel's films
, 2013 Lucrecia Martel's filmography is exemplary of the subjective turn that occurred in the Argentine film industry from the second half of the 1990s. Her first feature film, TheSwamp (2000) puts into question the model of institutional representation (Mri, Noël Burch) and breaks with several narrative and aesthetic canons to open up the spectators' horizon,
openaire +1 more source
Narratives of Estrangement in Infrapolitics and in Lucrecia Martel's Cinema of Perception
PeriphēricaThis essay studies cinema and infrapolitics from the standpoint of estrangement as a narrative device that sets perception and politics in relationship to one another. It proposes that recent books on infrapolitics by Gareth Williams and Alberto Moreiras deconstruct prominent narratives of estrangement in which the processes of perceptual renewal ...
openaire +1 more source
Sonido e inmersión en la trilogía salteña de Lucrecia Martel
, 2016 This paper underscores the unique and complex approach to the use of sound in the work of Lucrecia Martel. From the evidently symbolic use of the theremin in The Holy Girl (La niña santa, 2004)–.
Costantini, Gustavo Fabian +1 more
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L’Avant-scène cinéma ZAMA (Lucrecia Martel, 2017)
Cinémas d’Amérique latine, 2023 openaire +1 more source