Results 71 to 80 of about 117 (98)

Eroticism and Mysticism in the Film The Holy Girl by Lucrecia Martel

exaly   +2 more sources

Phenomenology of Spirits: Off-Screen Horror in Lucrecia Martel’s Films

2022
This chapter analyses the sophisticated system of disruption embedded within the image in Martel’s work. On many occasions, the filmmaker has expressed her predilection for horror narratives: the horrific is always the sign of a difference that has been repressed and that returns in an uncontrolled and disturbing form.
openaire   +1 more source

Maternal Ambivalence in Lucrecia Martel’s Salta Trilogy

Communications in Humanities Research
Lucrecia Martel is celebrated as one of Argentina's premier female directors, with her distinctive body of work gaining international recognition. This paper delves into Martel’s oeuvre, particularly her acclaimed Salta Trilogy: The Swamp (2001), The Holy Girl (2004), and The Headless Woman (2008).
openaire   +1 more source

Lucrecia Martel

2020
openaire   +1 more source

Lucrecia Martel’s Transnational Cinema

2022
openaire   +1 more source

Immersive Critique in Lucrecia Martel's Zama

Hispanic Review, 2023
openaire   +1 more source

Lucrecia Martel by Gerd Gemünden

Film Quarterly, 2020
openaire   +1 more source

Las ficciones de Lucrecia Martel

2021
openaire   +1 more source

Establishing the female gaze: narrative subversion in Lucrecia Martel’sLa niña santa(2004) andLa ciénaga(2001)

Journal of Iberian and Latin American Studies, 2015
Katy Hunter
exaly  

The Cinema of Lucrecia Martel by Deborah Martin

Modern Language Review, 2020
openaire   +1 more source