Results 71 to 80 of about 472 (138)

LUCRECIA MARTEL E ALBERTINA CARRI: NARRATIVAS FEMININAS SUBJETIVAS NO NUEVO CINE ARGENTINO (NCA)

open access: yes, 2018
Lucrecia Martel e Albertina Carri são duas das principais diretoras do nuevo cine argentino, movimento cinematográfico de meados dos anos 1990 e início do século XXI.
Campo, Mônica Brincalepe
core   +1 more source

La imagen malicia. Paisaje y malestar en el cine de Lucrecia Martel y Carlos Reygadas

open access: yes, 2017
Based on the notions that Georges Didi-Huberman develops in Devant le temps, this article focuses on landscape in the cinema of Carlos Reygadas and Lucrecia Martel, honing in on malice-images, that is, images whose critical and dialectical power open ...
Alarcón, María Fernanda
core  

Hacia una estética de la espera. Apuntes sobre la transposición cinematográfica de Zama por Lucrecia Martel

open access: yes, 2022
Literature is one of the main sources from which cinema has been nourished since its inception. However, from the second half of the 20th Century, the inverse influence (that is, of cinema on literature) has been increasing. Antonio Di Benedetto found in
Córdoba Saavedra, Gonzalo
core  

Figuras vacilantes: paisaje, espectro y jardín en el cine de Lucrecia Martel [PDF]

open access: yes, 2015
Esta investigación trama un recorrido por las películas de Lucrecia Martel desde una perspectiva de género. Intencionadamente hablo de “trama”, “recorrido” y “perspectiva” porque involucran cierta idea de viaje, transitar un camino de formas
Alarcón, María Fernanda
core  

El cine de Lucrecia Martel. Una estética de la opacidad

open access: yes, 2009
International audienceEl propósito de este artículo es destacar las características narrativas y estilísticas del cine de la directora argentina Lucrecia Martel a través del análisis de sus dos primeros largometrajes, La Ciénaga y La niña santa. En estas
François, Cécile
core   +1 more source

Transgresiones domésticas y agencia femenina en “Las dependencias” (1999) de Lucrecia Martel

open access: yes, 2021
This article studies the filmic representation of the female domestic worker in Las dependencias (Lucrecia Martel, 1999), a film about the Argentine writer Silvina Ocampo.
Ruiz Alfaro, Sofía
core  

Effect of Hydrolyzed Infant Formula vs Conventional Formula on Risk of Type 1 Diabetes: The TRIGR Randomized Clinical Trial. [PDF]

open access: yesJAMA, 2018
Writing Group for the TRIGR Study Group   +31 more
europepmc   +1 more source

El silenciero, novela de Antonio Di Benedetto

open access: yesKipus: Revista Andina de Letras y Estudios Culturales, 2017
Uno de los descubrimientos intelectuales más gratos que me han ocurrido a mis sesenta y dos mayos es la narrativa del escritor argentino Antonio Di Benedetto (Mendoza 1922-Buenos Aires 1986).
Galo Galarza
doaj  

CINEMATIC POLYPHONY IN LUCRECIA MARTEL’S CINEMA THE MUSICALITY OF NARRATIVE FILM IN ‘THE HEADLESS WOMAN’

open access: yesINTERNATIONAL JOURNAL OF FILM AND MEDIA ARTS, 2018
This paper provides an overview of the concept of musicality in fiction cinema language, understanding the comparative analysis of both art forms and considering cinema as a potentially musical construction. Furthermore, the examination of polyphonic musical textures and its methodical application in the formal analysis of Lucrecia Martel’s cinema ...
openaire   +4 more sources

Tempo e História: representação em Lucrecia Martel

open access: yes, 2013
Analyzing films as representations allows for researching the way we perceive ourselves as beings in the world. Based on François Hartog’s Order of Time which considers the interface between history and cinema, I hypothesize that time can be defined as ...
Brincalepe Campo, Mônica
core  

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