Results 111 to 120 of about 472 (138)

Lucrecia Martel

2019
This book provides an overview of the films of the Argentine filmmaker Lucrecia Martel, who counts as one of the most accomplished filmmakers from Latin America and as a leading female global auteur. It situates Martel’s cinema in the context of a post-dictatorship, neoliberal democracy, as well as within the emergence of a new wave realism (New ...
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Lucrecia Martel, Zama

2023
Traitant d’un des sujets 2023 et 2024 du Capes d’Espagnol, cet ouvrage propose tout ce dont le candidat a besoin pour passer les épreuves.Comme tous les Clefs-concours, l’ouvrage est structuré en trois parties : - Repères : le contexte historique et artistique; - Problématiques : comprendre les enjeux du programme; - Outils : pour retrouver ...
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Eroticism and Mysticism in the Film The Holy Girl by Lucrecia Martel

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Phenomenology of Spirits: Off-Screen Horror in Lucrecia Martel’s Films

2022
This chapter analyses the sophisticated system of disruption embedded within the image in Martel’s work. On many occasions, the filmmaker has expressed her predilection for horror narratives: the horrific is always the sign of a difference that has been repressed and that returns in an uncontrolled and disturbing form.
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Maternal Ambivalence in Lucrecia Martel’s Salta Trilogy

Communications in Humanities Research
Lucrecia Martel is celebrated as one of Argentina's premier female directors, with her distinctive body of work gaining international recognition. This paper delves into Martel’s oeuvre, particularly her acclaimed Salta Trilogy: The Swamp (2001), The Holy Girl (2004), and The Headless Woman (2008).
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Lucrecia Martel by Gerd Gemünden

Film Quarterly, 2020
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Lucrecia Martel’s Transnational Cinema

2022
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Immersive Critique in Lucrecia Martel's Zama

Hispanic Review, 2023
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The Cinema of Lucrecia Martel by Deborah Martin

Modern Language Review, 2020
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Different but the Same: Landscape and the Gothic as Transnational Story Space in Jane Campion’sSweetie(1989) and Lucrecia Martel’sLa Ciénaga(2001)

Critical Arts, 2017
Margaret Mcveigh
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