Results 1 to 10 of about 58 (56)

La forma sonata coreografica ne “Il Regno delle Ombre” de “La Bayadère” di Marius Petipa rivelata negli scritti di Fëdor Lopuchov

Danza e Ricerca, 2023
Wondering about the definition of the ballet La Bayadère as an expression of the «purest nineteenth-century classicism» (Marinella Guatterini), the author of the essay sets out to investigate the precise formula of this production.
Marta Mele
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So Imagism Began

Вісник Харківського національного університету імені В. Н. Каразіна. Серія Філологія. Vìsnik Harkìvsʹkogo nacìonalʹnogo unìversitetu ìmenì V.N. Karazìna. Serìâ Fìlologìâ., 2021
The paper aims at exploring the importance of the first period of Imagism development in the twentieth-century literary history. Turning our mind to the dawn of Imagism is important because the analysis of its first stage helps uncover the main goal of ...
Євгенія Семенівна Чернокова
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LIRICA E IRONIA NELLA POESIA FEMMINILE DEL RINASCIMENTO

Peloro, 2020
Nel linguaggio lirico del Cinquecento il ricorso all’ironia come affermazione di dignità personale è un fatto anzitutto della poesia femminile. Forse, proprio tale accentuazione di una soggettività concreta e anticonvenzionale segna il passaggio dal ...
Giorgio Forni
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Breaking up the Canon of Literary Modernity: Classicism in the Ecopoetics of David Hinton and the Materialism of Zeng Shaoli. A Preliminary Outline of Epistemological Changes in Contemporary American and Chinese Lyricism

Internationale Zeitschrift für Kulturkomparatistik
The target of this essay is to open possible pathways to approach the phenomenon of a self-remodeling of classicist poetry in the 20th and early 21st century by focusing on the process from two different angles rarely perceived as related to each other:
Frank Kraushaar
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Ludwik Osiński – profesor-esteta. Próba waloryzacji wykładów literatury porównawczej

Annales Universitatis Paedagogicae Cracoviensis. Studia Poetica, 2018
Ludwik Osiński – professor-aesthete. An attempt to valorize the comparative literature lectures The article is an attempt to give a broad outline of the profile of Ludwik Osiński as a literature lecturer at the Warsaw University. Over the centuries, the
Magdalena Patro-Kucab
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The Baroque Crisis of the Third Polish Republic. System Transformation, Sarmatian Traditions and Krzysztof Koehler’s Classicism

Journal of Folklore and Popular Culture
The article takes up reflection on the concept of classicism as formulated by Krzysztof Koehler, a representative of the “bruLion” generation. Accord ing to the young poet, contemporary classicism cannot be separated from extra literary reality; on the ...
Zbigniew Jazienicki
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Image of John Milton in Russian Poetry of 18th and 19th Centuries

Научный диалог
This study is dedicated to the analysis of the formation and understanding of the dynamic development of the image of the English poet John Milton in Russian lyrical and lyric-epic poetry. The material for this investigation consists of lyrical and lyric-
V. V. Serdechnaya, D. N. Zhatkin
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Difference and the Liberation of Sufficient Reason

European Journal of Philosophy, EarlyView.
Abstract The Principle of Sufficient Reason (PSR) holds that every event and entity can be explained by a sufficient reason or cause. Philosophers have long struggled with the question of the PSR's compatibility with freedom, for if what occurs or exists follows necessarily from its sufficient reason then it seems it could not have been otherwise ...
Louis Matheou
wiley   +1 more source

Chopin's Craft of Musical Form: Making Romantic Music with Classical Theme Types and Galant Schemata

Music Analysis, EarlyView.
ABSTRACT Frédéric Chopin adhered to traditional practices in musical form to a far greater extent than hitherto acknowledged. He took certain standard formal paths with remarkable consistency throughout his compositional career and across almost all his favoured genres.
Matthew Riley
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Symphonic Gift: Wagner's Siegfried Idyll and the Hermeneutics of Sonata Form

Music Analysis, EarlyView.
ABSTRACT This article reimagines the place of programmatic interpretation within the New Formenlehre through the case study of Richard Wagner's Siegfried Idyll. To theorise the interaction between form and programme, I reconcile ‘separation’ and ‘conflation’ views – as represented by Julian Horton (2020) and Lawrence Kramer (2004a) – by deploying ...
RAFAEL ECHEVARRIA
wiley   +1 more source