Results 11 to 20 of about 32,036 (91)

The Lyrical Literature of Distant Listening [PDF]

Distant listening—a practice involving the capture of radio stations abroad and educated guesses about foreign languages and identification signals—meant a great deal to radio’s early listeners, many of whom were seduced by the aura of mystery ...
Morin, Emilie
core   +5 more sources

Voicing Lyrical Dance: (Re)Considering Lyrical Dance And Dance Hierarchy [PDF]

, 2020
Lyrical dance intertwines fluid movement aesthetics, emotional narratives, and musicality within competition and commercial dance contexts. However, dance scholars tend to criticize lyrical dance, both directly and indirectly, perceiving it as over-the ...
Zumaya, Julia, Kraut, Anthea
core   +1 more source

Staging imagination: transformations of Shakespeare in Wordsworth and Coleridge [PDF]

, 2008
This thesis examines the ways that Wordsworth and Coleridge transform the works of Shakespeare, in order to stage the imagination as it functions in the lives of the characters in their poetry.
O’Boyle, Patricia Marie
core  

The Lyrical Subject and the Lyrical Object In the Lyrics of P.Mirzabaeva [PDF]

, 2023
In the article, the problem of lyrical subject and lyrical object is studied on the example of contemporary P.Mirzabaeva's ...
Aliyeva Khurliman Rakhmanbergenovna
core   +1 more source

Occasion and audience as poetic constructs in early modern occasional poetry

Orbis Litterarum, EarlyView.
Abstract Occasional poetry, composed for specific events such as weddings or funerals, was a dominant form of poetry in early modern Europe. Despite its historical prominence, the role of the occasion as a literary and rhetorical construct in occasional poetry has been very little studied.
Eeva‐Liisa Bastman
wiley   +1 more source

Blankness in post‐post‐postmodern poetry

Orbis Litterarum, EarlyView.
Abstract Jameson's “myth” identifies reification as the leading cause of cultural change. The myth also adumbrates the semiotic form of post‐postmodernism and post‐post‐postmodernism, which Jameson himself did not explore. One of the most extreme varieties of post‐post‐postmodern verse is the would‐be blank poem, pursued by Russian Futurists, Lettrists,
Shawn Normandin
wiley   +1 more source

Review of literature after 1989 besides classicism [PDF]

, 2009
The aim of the article is present the controversy in review of literature on a subject classicism after 1989. Different sense (methods) of reason this term influenses classification of poetry.
Woźniak-Łabieniec, Marzena
core   +2 more sources

Semantic potential of the lexeme twilight in Russian poetry

Слово.ру: балтийский акцент
The article provides an in-depth analysis of both direct and figurative usages, as well as the figurative transformations of the term 'twilight' in Russian poetry spanning over a cen­tury and a half of its evolution. The linguistic and poetic examination
Natalia V. Patroeva
doaj   +1 more source

Speaking for Dionysus: Empathy and choral advocacy in Aristotle and Nietzsche

Orbis Litterarum, EarlyView.
Abstract This essay argues for an abiding connection between empathy and advocacy by revealing their unrecognized parallels in Aristotle and Nietzsche. The argument makes three new claims. First, I identify an ancient form of sharing emotions, unnamed in but fundamental to Aristotle's Rhetoric, that I call “empathy by analogy.” Next, I show that the ...
Ellwood Wiggins
wiley   +1 more source

Narrator, character, other: Kafka’s triangle in Fürsprecher

Orbis Litterarum, EarlyView.
Abstract Franz Kafka's protagonists are conspicuously featureless, and yet Kafka is persistently read as a fabulist of the plight of the individual before impervious, impersonal, and indifferent legal structures. How can Kafka champion the individual against such forces when his heroes do not have personalities to lose?
Lindsay O’Connor Stern
wiley   +1 more source