Ficción y referencia : aportes goodmanianos para una semántica de términos ficticios [PDF]
, 2012 En los últimos años, el interés por la semántica de términos ficticios ha crecido considerablemente en el marco de la tradición analítica. De forma general, es posible distinguir dos grandes tipos de propuestas semánticas: las propuestas ontológicamente ...
Scala, Sofía J. Di
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Flaubert: Revue Critique et Génétique, 2009 From the 1930s to the present, Charles Bovary is probably the most altered character in the adaptations of Flaubert’s novel. The first directors made a victim of him, but gradually, the cinema began to emphasize his deleterious dimension and attributed ...
Anne-Marie Baron
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Madame Bovary 24 : l’héroïne flaubertienne au cinéma selon Sophie Barthes
Carnets, 2021 The purpose of this article is to study the feature film Madame Bovary (2014) by Franco-American filmmaker Sophie Barthes, and to identify how it dialogues with the Flaubertian novel, while respecting its spirit and the psychology of the characters, but ...
Ana Alexandra Carvalho
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Flaubert in Dostoevsky’s Work: The Role and Image of Madame Bovary in the Novel The Idiot
Studia litterariaThe article examines the role of G. Flaubert’s novel Madame Bovary in the artistic space of F.M. Dostoevsky’s Idiot and the philosophical and ideological ideas of the French writer, which formed the basis of his work.
Tatiana G. Magaril-Il’iaeva
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Rémanence de Madame Bovary dans l’édition illustrée
Flaubert: Revue Critique et Génétique, 2014 This article focuses on the illustrated editions of Madame Bovary. After Flaubert’s death these editions were popular and multiplied until the end of the 1850’s. They represent a testimony of the novel’s reception by illustrators.
Bruno Gallice
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Transformation of Flaubert’s Free Indirect Speech in Film Adaptation Madame Bovary by Claude Chabrol
Vestnik za Tuje Jezike, 2013 The paper deals with the transformation of Flaubert’s free indirect speech in the film Madame Bovary by Claude Chabrol. Conversion of free indirect speech into direct speech or into narration by an external narrator (voice-over) cannot be avoided, it ...
Florence Gacoin Marks
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La transfiguration du bal [PDF]
, 2005 L’une des hypothèses admises implicitement dans la plupart des études sur l’adaptation est que le spectateur sait d’avance que le film est une adaptation, ou qu’il connaît le roman dont le film est adapté. Or, bien plus fréquemment, le film s’offre comme
Jost, François
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THE FAILURE AND DISILLUSION OF EMMA BOVARY IN HER FRANTIC SEARCH FOR IDEALISTIC LOVE IN GUSTAVE FLAUBERT’S NOVEL “MADAME BOVARY” [PDF]
, 2003 A literary work had been created a long time ago before someone found the essence, values and meaning of literature. Moreover, literature works also offer knowledge and profound understanding about human being, world and life.
Sukmaningtyas,
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Anamorphoses d’Emma. Pour une histoire de l’adaptation filmique
Flaubert: Revue Critique et Génétique, 2020 This study focuses on films based on Madame Bovary that have been produced in France and the United States between 1932 and 2014. It discusses the work of Robert Stam, Linda Hutcheon and Mary Donaldson-Evans, and through the example of these films aims ...
François Vanoosthuyse
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Disillusion Of Marital Life In Gustave Flaubert’s Madame Bovary Novel (1856): A Psychoanalytic Approach [PDF]
, 2012 This research paper elaborates the portraits of disillusion of marital life in Gustave Flaubert’s Madame Bovary novel, that are analyzed through psychoanalytic approach.
Chotimah, Vika Chosnul
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