Results 211 to 220 of about 649,052 (251)
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Dialogue, 1993
Kendall Walton's Mimesis as Make-Believe is the most significant event in Anglo-American aesthetics in many a year, and joins a small pantheon of landmark books such as Nelson Goodman's Languages of Art, Richard Wollheim's Art and Its Objects and Arthur Danto's Transfiguration of the Commonplace.
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Kendall Walton's Mimesis as Make-Believe is the most significant event in Anglo-American aesthetics in many a year, and joins a small pantheon of landmark books such as Nelson Goodman's Languages of Art, Richard Wollheim's Art and Its Objects and Arthur Danto's Transfiguration of the Commonplace.
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Making believers out of computers
Artificial Intelligence, 1986Publisher Summary This chapter discusses the knowledge-based systems or KBS. The usual picture of logic is that it involves a expressive language, coupled with a sound and complete inference regime. On closer examination, the idea of a KBS is not totally vacuous.
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Introspection as a Game of Make‐Believe
Theoria, 2014AbstractThe aim of this article is to provide an account of introspective knowledge concerning visual experiences that is in accordance with the idea of transparent introspection. According to transparent introspection, a person gains knowledge of her own current mental state M solely by paying attention to those aspects of the external world which M ...
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Vision as make-believe: how narratives and models represent sociotechnical futures
Journal of Responsible Innovation, 2021Maximilian Rosmann
exaly
Make‐believe play with the Internet of Toys: A case for multimodal playscapes
British Journal of Educational Technology, 2021Sarika Kewalramani +2 more
exaly
2018
This chapter contends that believing and making-believe are not strongly isolated from one another—indeed, often they intermingle. The magic of images often consists in their ability to make belief from the fiction of make-believe. A close analysis of a famous painting of Pygmalion and Galatea, drawn from Ovid’s ancient verse, forms the central ...
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This chapter contends that believing and making-believe are not strongly isolated from one another—indeed, often they intermingle. The magic of images often consists in their ability to make belief from the fiction of make-believe. A close analysis of a famous painting of Pygmalion and Galatea, drawn from Ovid’s ancient verse, forms the central ...
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