Results 1 to 10 of about 15,607 (298)

Max Dvořák’s Michelangelo [PDF]

open access: yesJournal of Art Historiography, 2021
It has been shown that it was Max Dvořák who introduced into art-historical research the concept of Mannerism as an independent style that dominated the second half of the 16th century.
Tomáš Murár
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The Metamorphosis of Mannerism in Russian Poetry at the Turn of the 19th–20th Centuries: Valery Bryusov and Nikolay Gumilev [PDF]

open access: yesStudia Litterarum, 2023
This article is dedicated to the insufficiently studied topic concerning comparative analysis of European mannerism and neo-mannerist tendencies in Russian modernist poetry.
Svetlana D. Titarenko
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The Mannerist “revolution”, Dvořák and Soviet Art History [PDF]

open access: yesJournal of Art Historiography, 2021
Max Dvořák is widely recognized as a key contributor to the tectonic change in the perception of Mannerism amongst art historians. Soviet scholars could not ignore this shift. In this paper, I trace the impact of Dvořák’s writings on Mannerism in Italian
Stefaniia Demchuk
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Late Gothic (Antwerp) Mannerism: its Origins, Nature and Decline (a Review of the Literature)

open access: yesТекст і образ: актуальні проблеми історії мистецтв, 2022
This essay does not strive to give a comprehensive review of literature on Antwerp Mannerism, but rather to summarize the focal points of discussions and to outline key roadmaps for further studies.
Стефанія Демчук
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Exercice de l’œil, exercice de la main : le dessin comme exercice de soi à l’époque de la Renaissance maniériste

open access: yesMethodos, 2021
This paper aims at questioning the concept of exercise as it is understood in the mannerist treaties of art in the late Cinquecento. It relies on a thorough investigation on the philosophical sources (such as Aristotelism and Neoplatonism) of these ...
Baptiste Tochon-Danguy
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Theory Follows Photography: The Evolving Gaze of Denise Scott Brown

open access: yesInteriority, 2023
Throughout history, architects have communicated their ideas through writing, drawing, model-making, speculation, and built work. Photography, which appeared in architecture books at the beginning of the 20th century, was mostly considered to be ...
Pablo Meninato
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STYLISTIC ORIGINALITY OF SPENSER’S EPITHALAMION AND ITS REFLECTION IN RUSSIAN AND CHINEESE TRANSLATIONS [PDF]

open access: yesStudia Litterarum, 2017
Contemporary notion of style as a set of rules that allows the author choose and combine the elements of content and form when producing a literary work (V.V.
I.I. Burova, Z. Zhang
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Self-Determination Anxiety and Signs of Crisis — Fragmentation, Performativity, Postdramatic [PDF]

open access: yesAmfiteater, 2022
The text will address some issues that substantially determine contemporary thinking about European drama and theatre. Thus, for example, the idea of fragmentary dramaturgy will be considered in relation to the first case of such writing, namely, the ...
Almir Bašović
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The Idea of Mannerism in Architecture: Rise and Decline of a Historiographic Category

open access: yesArcHistoR Architettura Storia Restauro: Architecture History Restoration, 2019
The concept of Mannerism in architecture had great critical fortune between the 30s and the 60s in the 20th century, with the progressive achievement of this historiographic category in the field of arts and culture.
Renata Samperi
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La « maniera » de Montaigne : quelques traits, et leur sens

open access: yesEtudes Epistémè, 2006
« Boom against » Mannerism? Surely not! The author of this essay got into trouble, back in the 1970s, because she presented and defined Montaigne’s Mannerism as part of the artistic Mannerism of his time, and even more for showing that French Mannerist ...
Géralde Nakam
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