Results 61 to 70 of about 25,053 (164)
The Space of Experience in the Architecture of Richard Hamilton [PDF]
, 2018 Richard Hamilton realiza tres exposiciones en el Institute of Contemporary Arts (ICA) en el Londres de los años 50, participando del ambiente interdisciplinar del Independent Group.
Paz-Agras, Luz
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Creative dialogues: Dianne Pearce’s production of relational possibilities [Catalogue essay] [PDF]
, 2011 Let us consider two important factors at play in the artwork of Dianne Pearce, the two poles that Marcel Duchamp argues in “The Creative Act” are integral to the creation of art: the artist and the spectator.
Haladyn, Julian Jason
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DAPesquisa, 2019 Este breve paralelo que faço entre a obra e o pensamento do polonês Tadeusz Kantor e do francês Marcel Duchamp, tem como especificidade a relação que os dois artistas estabelecem em suas obras com os objetos ou ready-mades.
Valmor Beltrame
doaj +1 more source
Between a White Cube, Black Box, and Warehouse: Constructing Spaces for Contemporary Art throughout the Recent Museum Building Boom [PDF]
, 2018 Since the 1990s, museum buildings and the art housed inside them have undergone dramatic changes. Once canonical structures, they have evolved to more suitably contain new art forms and reflect the expanding and dynamic purposes of the museum.
Murphy, Diana K.
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A máquina escriturística: de Duchamp a Certeau
Poiésis, 2008 Nosso trabalho visa compreender a leitura que o historiador e antropólogo Michel De Certeau faz do projeto artístico mais ambicioso de Marcel Duchamp – O Grande Vidro.
Emerson Dionísio G. de Oliveira
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Duchamp's Erotic Stereoscopic Exercises
Anais do Museu Paulista: História e Cultura Material: This article explores certain links between medicine and art, with regard to their use of stereoscopy. I highlight a work by the artist Marcel Duchamp (the ready-made Stéréoscopie a la Main) and stereoscopic cards used in ophthalmic medicine.
Gavin Adams
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Two journeys: The Machine with 5 Hearts; Duchamp and Travel
Artnodes, 2007 The 'posthuman' condition described by Katherine Hayles (1999), looks to the definitions of Hans Moravec and beyond these to the pioneering thinking of Alan Turing. I have begun to make a detailed study of an event that seems to predict these definitions
Kieran Lyons
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Enveloppes, prothèses et empreintes : le corps postmoderne (À propos et à partir de l’étude d’Herman Parret) [PDF]
, 2000 À la lecture du texte d’Herman Parret, consacré à Marcel Duchamp, apparaît de toute évidence qu’une autre sémiose figurative se met en place : là où on attendrait une sémiose (plus ou moins) iconique, dans l’ordre de la représentation des corps (féminins,
Fontanille, Jacques
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The Child as Art Object in Tino Sehgal’s Ann Lee, Ann Lee & Marcel and This Progress – A Reflection [PDF]
, 2018 This reflection explores the politics of working with children as art objects through three works by British-German artist Tino Sehgal, Ann Lee (2011), Ann Lee & Marcel (2015) and This Progress (2006).
Antje Hildebrandt +2 more
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, 2000 Duchamp est glorifié comme le fondateur de l’art conceptuel. Toutefois, l’arsenal duchampien est rempli avant tout de concepts-corps. La pratique duchampienne met en scène le concept de corps essentiel, de sa mécanique, de ses fragments, de ses indices ...
Parret, Herman
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