Results 81 to 90 of about 25,053 (164)
Artefilosofia, 2017 Em Kant depois de Duchamp (1996), Thierry de Duve concebe o juízo estético moderno a partir de certa alteração do juízo de gosto kantiano, com o propósito de uma crítica à recepção dos readymades de Marcel Duchamp.
Alice Lino
doaj
Do objecto ao sujeito: uma estética do indivíduo? [PDF]
, 2010 A evolução na arte conduziu à necessidade de novos pensamentos sobre as abordagens estéticas. Se inicialmente o foco do estudo era o objecto, com Marcel Duchamp e todas as correntes conceptualistas e minimalistas que se seguiram, o conceito tornou-se o ...
Albuquerque, Inês, Oliveira, Rosa Maria
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The Most Important Works of Art of the Twentieth Century [PDF]
A survey of art history textbooks identifies and ranks the eight most important works of the 20th century. The most important painting of the century was Les Demoiselles d'Avignon, executed by Picasso at the age of 26, which began the development of ...
David W. Galenson
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Self-Recognition in Data Visualization: How People See Themselves in Social Visualizations [PDF]
Self-recognition is an intimate act performed by people. Inspired by Paul Ricoeur, we reflect upon the action of self-recognition, especially when data visualization represents the observer itself.
Cellard, Loup, Rodighiero, Dario
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Marcel Duchamp, artiste androgyne
, 2013 Cette these porte sur la relation etroite de l’œuvre de Marcel Duchamp avec la notion de l’Androgyne, la coexistence des principes mâle et femelle, herites des mythes anciens de la creation; elle porte egalement sur les idees platoniciennes, les pensees gnostique et hermetique, et les croyances alchimiques telles qu’elles se trouvent exprimees dans le ...
openaire +3 more sources
Marcel Duchamp. Biographie / Marcel Duchamp. La vie à crédit [PDF]
Marges, 2008 openaire +2 more sources
A Conceptual World: Why the Art of the Twentieth Century is So Different From the Art of All Earlier Centuries [PDF]
This paper surveys 31 new genres of art that were invented during the twentieth century, chronologically from collage, papier colle, and readymades through installation, performance, and earthworks.
David W. Galenson
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