Results 31 to 40 of about 100 (82)

Redeem, convert, re-convert. Production, resemantization and use of Marian images in the Mediterranean islands of the Spanish Empire (XVI-XVII centuries): the case of Sardinia

open access: yesIl Capitale Culturale: Studies on the Value of Cultural Heritage, 2019
The purpose of this essay is to investigate the impact of the Marian cults specialized against the Muslim threat in Sardinia in the 16th-17th centuries by analyzing the relative Marian iconographies.
Mauro Salis
doaj   +1 more source

The Vase in Paintings of the Annunciation, a Polyvalent Symbol of the Virgin Mary

open access: yesReligions, 2022
This article tries to highlight the deep doctrinal meanings underlying the vase that is often included in artistic depictions of the Annunciation.
José María Salvador-González
doaj   +1 more source

Paradisi porta—An Iconographic Analysis of Mary as a Humanity’s Mediator in the Light of Medieval Liturgical Hymns

open access: yesReligions, 2023
This article aims to highlight the rich doctrinal meanings underlying the textual and iconic designation of the Virgin Mary as the gate of Heaven, a highly brilliant metaphor used by writers and artists to symbolize her saving mediation before her divine
José María Salvador-González
doaj   +1 more source

The Iconographic Type of the Coronation of the Virgin in the Renaissance Italian Painting in the Light of the Medieval Theology

open access: yesReligions, 2022
This article highlights the artistic and conceptual relevance of the iconographic type of the Coronation of Mary in Italy during the Late Middle Ages and Early Modernity.
José María Salvador-González
doaj   +1 more source

Martyr et Pontifex: The Formation of St. Josaphat Kuntsevych’s Iconography

open access: yesLietuvos Istorijos Studijos
This paper traces the origins of the iconography of Josaphat Kuntsevych to the early adoption of the Baroque aesthetic on the part of the Ruthenian Uniate Church, following the Union of Brest of 1595.
Anatole Upart
doaj   +1 more source

"Flos de radice Iesse". A Hermeneutic Approach to the Theme of the Lily in Spanish Gothic Painting of The Annunciation from Patristic and Theological Sources

open access: yesEikón Imago, 2013
Contradicting the superficial and unjustified conventional interpretation of the lily in the images of the Annunciation, this paper proposes two new deep theological explanations of that flower in this biblical episode.
José María Salvador González
doaj   +1 more source

Domus Sapientiae: A Mariological and Christological Metaphor According to the Patristic, Theological, and Liturgical Tradition

open access: yesReligions
This article sheds light on the repercussions of the Proverbs sentence “Wisdom has built her house” on Christian doctrine and on the Marian iconography of the Annunciation.
José María Salvador-González
doaj   +1 more source

‘Tearing Off the Bonds’: Suffrage Visual Culture in Australia, New Zealand and the USA, 1890–1920

open access: yesGender &History, Volume 37, Issue 1, Page 234-266, March 2025.
Abstract This article will examine how transpacific suffrage visual culture imagined and reimagined an artistic tradition centred around the figure of the bound woman. White suffragists and anti‐suffragists in Australia, New Zealand and the United States used the iconography of bonds, chains and whips to mediate the possibility of women’s ...
Ana Stevenson
wiley   +1 more source

Evidence‐based complementary feeding recipe book for Kenyan caregivers: A novel approach

open access: yesMaternal &Child Nutrition, Volume 20, Issue S3, January 2024.
A complementary feeding recipe book was developed for Kenyan caregivers. Development of the book included an evidence‐based five‐step approach, ADAPT: (1) applied research, (2) dialogue with stakeholders, (3) adapted BCC theories, (4) purpose‐driven visual communication, and (5) tailoring to the audience.
Alyssa Lowe   +14 more
wiley   +1 more source

Pieta z Mielęcina. Znak trwania

open access: yesRocznik Skrzatuski
The environment of the tradition of Marian devotion in the Walcz (Wałcz) lands in the Middle Ages centered around images of Our Lady of Sorrows. Today the best known such image is the Pieta in the diocesan sanctuary in Skrzatusz. Recently, a 17th or 18th
Henryk Romanik
doaj   +1 more source

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