Results 41 to 50 of about 100 (82)

Miracle, Moral and Memory: Situating the Miracles in the Margins of the Lamoignon Hours (c. 1415)

ICO Iconographisk Post, 2021
The Lamoignon Hours was illuminated in Paris by the Bedford Master for the French princess Jeanne de France around 1415. Whereas the manuscript matches similar luxury books of hours from the Valois court in size, materials and ...
Ragnhild M. Bø
doaj  

Iconography of The Birth of the Virgin Mary on the Basis of a Homily of St. John Damascene

Eikón Imago, 2016
As a consequence of the fact that the New Testament mentions few episodes and very few details of the real life of the Virgin Mary, among the Eastern Christian communities several apocryphal legends, that tried to supply this hermetic silence around the ...
José María Salvador González
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Se nas pedras faz feguras parecer... Consideraciones sobre iconografía mariana y figuras poéticas en las Cantigas de Santa María de Alfonso X

Olivar: Revista de Literatura y Cultura Españolas, 2014
Marian iconography has been reflected in medieval Hispanic poetry in many ways, ranging from verses that describe the Virgin and her attributes to theological and mariological concepts expressed plastically by means of rhetorical forms.
Santiago Disalvo
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Osservazioni in margine sulla musica per l’immacolato concepimento della Vergine, al tempo di Sisto IV

L'Atelier du CRH, 2012
The introduction of the celebration of the Immaculate Conception prompted a series of innovations in liturgical music that changed the foundations of music and developed the figurative theme of the Virgin Mary.One of the first official actions of Pope ...
Camilla Cavicchi
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Descendre au puits, s’élever vers la Madone

Images Re-Vues
Built around 1600 in the Roman monastery of San Gregorio al Celio, the Salviati chapel houses two Marian images. According to legend, the first Madonna miraculously spoke to Saint Gregory.
Célia Zuber
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La scène de la Crucifixion dans certaines versions du cycle de l’Acathiste et l’impact des icônes crétoises sur l’iconographie moldave / The Scene of the Crucifixion in Certain Versions of the Cycle of the Acathist and the Impact of Cretan Icons on Moldavian Iconography [PDF]

Anastasis: Research in Medieval Culture and Art, 2015
The illustration of the 18th stanza (oikos) of the Akathistos Hymn by the composition of the Crucifixion in some Moldavian monuments is an exceptional iconographic detail. The monuments are St. Nicolas of Probota monastery, St. George of St. John the New
Athanasios Semoglou
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Dall’imago clipeata alla Theotokos Platytera

Venezia Arti
The particular iconographic theme of the Theotokos Platytera is manifested as an iconic representation in which the infant Christ is always inserted inside a clipeo – a disc with a circular shape or an ellipsoidal almond – that she holds up as if it ...
Celentano, Michele
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The thousand-year-old bee as a survival myth [PDF]

Slovenska Literatura, 2001
The study deals with the symbol of bee in the novel by Peter Jaroš Tisícročná včela and the film adaptation of it made by Juraj Jakubisko. The picture of the bee contains connection of the basis of collective identity of the nation and the class and ...
Peter Zajac
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The image of Our Lady of Hârbovăţ from the collection of icons of the National Museum of History of Moldova

Tyragetia, 2013
The six icons from the collection of Marian icons from the National Museum of History of Moldova represent the image of Our Lady of Hârbovăţ. Of these, three are large processional ones and the others are smaller, home icons.
Adelaida Chiroşca
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Visualizing the Magnificat: Μary and the Attribute of the Book in Early Christian and Medieval Art

Religions
This paper examines the iconography of the Mother of God holding a book in Early Christian and Medieval art, focusing on representations in which a book or scroll functions as an attribute of the Virgin Mary.
Elena Papastavrou
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