Results 71 to 80 of about 1,630 (164)
Gaspard Hauser and the Russian Verlaine: Transformation of the myth of the poet
The paper deals with five translations of Paul Verlaine’s poem “Gaspard Hauser chante” (1873): by Valery Bryusov (1911), Georgy Shengeli (1940s), Wilhelm Levick (1956), Ariadna Efron (1969), Alexander Revich (1970s).
M. V. Cherkashina
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Limit the Drama of M. Tsvetaeva
The article considers the characteristics of lyrical plays Marina Tsvetaeva in the aspect of poststructuralist approach aimed at the analysis of poetics.
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Oсновные направления исследований по эмиграционистике российской научной школы [PDF]
Статья посвящена изучению и систематизации современных научных исследований по эмиграционной литературе российских ученых, классификации различных научных подходов в исследованиях эмиграционной литературы, определению специфики российской научной школы
Велилаева, Л. Р.
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An Eye-Tracking Study of Sketch Processing: Evidence From Russian. [PDF]
Petrova TE, Riekhakaynen EI, Bratash VS.
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THE UNIQUENESS OF MARINA TSVETAEVA'S CREATIVITY
The end of the XIX - beginning of the XX century is a period marked by the heyday of Russian poetry. The Silver Age gave the world such great masters of the syllable as A. Blok and A. Akhmatova, I. Bunin and S. Yesenin, V. Mayakov-Marina Tsvetaeva is a bright representative of the Silver Age period, a poet whose name is inextricably linked with the ...
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Receptive Program of Understanding Reader
The article deals with the type of understanding the reader of the artworks and the structure of his receptive program, which is based on the position of the ability of the text to contain a strategy for reading and perception.
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Those Strange Moscow Ladies: Queer Identity in the Poetry of Tsvetaeva and Parnok [PDF]
Marina Tsvetaeva and Sophia Parnok were both Russian poets living during the first half of the twentieth century. Tsvetaeva is considered one of the most prominent poets of the Silver Age, and is recognized for her innovative and complex style. Parnok is
McCorkle, Karina
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Un détail indiciaire : la fenêtre d’Edgar Allan Poe [PDF]
À la naissance du roman policier est une fenêtre. Ou plus exactement deux : dans le texte fondateur du genre, The Murders in the rue Morgue (Double assassinat dans la rue Morgue) d’Edgar Allan Poe, publié en 1841, la première fenêtre est celle du coeur
DEL LUNGO, Andrea
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Epithetization of love in M. Tsvetaeva’s texts
INTRODUCTION. The study relevance is due to the need for a cognitive-semantic analysis of the mechanism of epithetization in M. Tsvetaeva’s texts. This is due to the central position of the characteristic vocabulary and the category of epithet in the ...
S. A. Gubanov
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Poema of Lieutenant Schmidt’s End: Pasternak’s Dialogue with Tsvetaeva through the Prism of Genre. [PDF]
Boris Pasternak’s poemy are acutely self-conscious of their place in the epic tradition. Lieutenant Schmidt (LS) represents one attempt at exploring the parameters of the poema itself as the poet makes a “difficult” transition from “lyric thinking” to ...
Lavine, Ludmila
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