Results 101 to 110 of about 15,117,191 (244)
Mary Shelley as elegiac poet: the return and 'The Choice'
The article analyses the poem 'The Choice', by Mary Shelley, analysing the elegiac nature of the work and her use of the word 'return'
Allen, Graham
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The voice unbound : Mary Shelley\u27s vision of romanticism
Mary Shelley was propelled into fame while still a teenager because of her powerful and gothic novel Frankenstein. This novel and several facts about the author\u27s personal life have kept her in the public eye since her death. Though Frankenstein has
Smith, Courtenay Noelle
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On the trail of Mary Shelley: Frankenstein and the Gothic
reservedThe purpose of my dissertation is to contextualize and analyze Mary Shelley’s Frankesntein; or, the Modern Prometheus from a peculiar point of view.
SARTORI, ANNA
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O diálogo entre cinema e literatura em «Frankenstein»
Este artigo pretende por meio do diálogo entre a produção literária de Mary Shelley, Frankestein ou o Moderno Prometeu (2001) e as produções cinematográficas Frankenstein: The man who made a monster, de James Whale (1931) e Mary Shelley’s Frankenstein ...
Sirlene Cristófano
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Giro di vendette nel teatro di Sarah Kane
Certi esordi nella storia letteraria sono stati semplicemente fulminanti. Opere prime che hanno, al loro apparire, confuso il loro pubblico, fatto di lettori o di spettatori, ma che hanno soprattutto creato nella critica del loro tempo disappunto e ...
Roberto D'Avascio
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El presente trabajo es un análisis filosófico sobre las pretensiones del transhumanismo, sus elementos y características como síntesis entre ciencia, tecnología, filosofía, ideología y pseudo religión, sirviendo de ejemplo la novela gótica Frankenstein o
Ricardo Marcelino Rivas García
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Monstre et signature : Mary Shelley et le pouvoir créateur
Maclean Marie, Davatchi David, Anderson Philip. Monstre et signature : Mary Shelley et le pouvoir créateur. In: Romantisme, 1994, n°85. Pouvoirs, puissances : qu'en pensents les femmes? pp.
Anderson, Philip +2 more
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Esther Schor, ed. The Cambridge Companion to Mary Shelley
“Today, whether she is found between staid cloth covers, in paperback, on the screen or in cyberspace, Mary Shelley is everywhere,” writes Esther Schor in her Introduction to this collection of essays (2).
BERTON, Anne
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School of Arts and Communication Post-Graduate Colloquium [PDF]
Mary Shelley's Frankenstein (1818, 1831) has long been regarded as the foundational text of the science fiction genre. In this paper, I argue that this assertion holds a number of significant consequences for the way in which we understand both the novel
Bedford, Alison
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