Results 81 to 90 of about 15,117,191 (244)
Daniel Walstad, director; written by Nick Dear; based on book by Mary Shelley. Summary: "...Meeting with cruelty wherever he goes, the friendless Creature, determines to track down his creator and strike a terrifying deal.
Nick Dear
core
Daniel Walstad, director; written by Nick Dear; based on book by Mary Shelley. Summary: "...Meeting with cruelty wherever he goes, the friendless Creature, determines to track down his creator and strike a terrifying deal.
Nick Dear
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‘Filthy creation’: the Problem of Parenting in Mary Shelley’s Frankenstein
This paper is an attempt to bolster the relevance of Mary Shelley’s classic Frankenstein by engaging contemporary bioethical discourses on procreation and parenting.
Debapriya Goswami
semanticscholar +1 more source
Review of The Shelley-Godwin Archive
Review of The Shelley-Godwin ...
Stacey L. Kikendall
doaj +1 more source
Analysis and comparison of main evil characters in gothic novels Mary Shelley’s “Frankenstein” and Oscar Wilde’s “The Picture of Dorian Gray”. [PDF]
The Picture of Dorian Gray by Oscar Wilde and Frankenstein by Mary Shelley are both products of Gothic Literature and though written in 70 years intervals, two novels embody main evil characters who are surprisingly similar .
Maraş, İzel
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Enmarcado en un proyecto de innovación docente relacionado con la integración de las ciencias y las letras destinado a alumnos de los Grados de Maestro en Educación Primaria e Infantil, este trabajo presenta una experiencia educativa basada en la novela
Antonio Martín Ezpeleta +1 more
doaj
LES LIGNES ANGLAISES D’EMMANUEL CARRÈRE : LA GREFFE DE "BRAVOURE"
Emmanuel Carrere’s English lines: the case of grafting in the novel Bravoure. The kind of sharing that supports the testamentary type of tools is based as much on the transmission of programmatic filiation as on creative networks capable of bypassing ...
Marinella TERMITE
doaj +1 more source
Did Mary Shelley write Frankenstein? A stylometric analysis
Lee Suddaby, G. Ross
semanticscholar +1 more source
Orphans : childhood alienation and the idea of the self in Rousseau, Wordsworth and Mary Shelley [PDF]
This thesis explores representations of the self in Rousseau's Émile (1762). Wordsworth's The Prelude (1805) and Mary Shelley's Frankenstein (1818).
Jones, Jonathan D.
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The radical challenge of Mary Shelley’s The Last Man
This article explores how social, political and ecological issues precipitated by a cholera pandemic are not only dramatized in Mary Shelley’s novel, The Last Man (1826), but also how these reflect the continued radicalization of her own life and ideas.
Ronald Paul
doaj +2 more sources

