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Aesthetic objects, aesthetic judgments and the crafting of organizational style in creative industries [PDF]
In this article, we conceptually engage with style as central to creative industries. We specifically argue that style is crafted into being via an interplay between aesthetic judgments and “aesthetic objects.” We define aesthetic objects as temporary ...
Bazin, Yoann, Korica, Maja
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Fiduciary Breach, Once Removed [PDF]
This essay argues for the importance of an intersubjective and impure film theory in which the signal and the signaletic is considered as figures for approaching film.
DeMott, Deborah A.
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The Political Aesthetics of Middle Class Housing in (not so) Neoliberal Mozambique
This article explores the social and material repercussions of middle class aspirations in a system that is still infused by socialist aesthetics in Maputo, Mozambique.
J. Sumich, M. Nielsen
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Different Approaches to Modern Art and Society: Li Zehou versus Xu Fuguan
Proceeding from the inseparable relation between ethics and aesthetics in traditional (and often also modern) Chinese thought, this article aims to illuminate two important approaches to the aesthetic foundations of Chinese modernity.
Téa Sernelj
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Disrupted Dwelling: Forensic Aesthetics and the Visibility of Violence
The aim of the present text is to offer an interpretation of Eyal Weizman’s_concept of forensic aesthetics, demonstrating how this approach reveals the ways in which the aesthetic perception of violence, trauma, and decomposition of human dwelling can be
Martin Charvát
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Visual objects and universal meanings : AIDS posters and the politics of globalisation and history [PDF]
Drawing on recent visual and spatial turns in history writing, this paper considers AIDS posters from the perspective of their museum ‘afterlife’ as collected material objects.
Cooter, Roger, Stein, Claudia
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The Aesthetics of Sand: Reclaiming Hong Kong’s Unsettled Grounds
Sand is a key material foundation of modern cities. In Hong Kong, a city founded in British mercantile imperialism, the extraction of sand needed for construction and reclamation projects has always been tied up with violent dispossession.
Julian Brigstocke
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A Supercut of Supercuts: Aesthetics, Histories, Databases
The genealogies of the supercut, which extend well past YouTube compilations, back to the 1920s and beyond, reveal it not as an aesthetic that trickled from avant-garde experimentation into mass entertainment, but rather the material expression of a ...
Max Tohline
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Plastic Skinscapes in Tibetan Buddhism
This article takes as its point of departure S. Brent Plate's (2012) compelling metaphor ‘the skin of religion’ to discuss the increasing presence and impact of plastics in the sphere of religion.
Trine Brox
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"Darling Look! It’s a Banksy!” Viewers’ Material Engagement with Street Art and Graffiti [PDF]
This chapter examines viewers’ affective encounters with street art and graffiti, with attention to the critical framework provided by Rancière (2004), whose work suggests a method for investigating our aesthetic practices of participation (or exclusion)
Flynn, Danny, Hansen, Susan
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