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The centrality of Medea in Gower’s ‘Tale of Jason and Medea’
Showcasing some examples of Gower’s artistic use of form to serve content, this article argues that the formalistic structure of ‘The Tale of Jason and Medea’ is a rhetorical means deployed by the poet to manage his narrative content and highlight its ...
Malek Jamal Zuraikat
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MEDEA Medea ( - ) Cover ( - ) Kupfertitel ([1]) Titelseite ([2]) Persohnen. - Veränderungen deß Theatri. ([2]) Geneigter Leser! ([3]) Erster Handlung. (1) Andere Handlung.
Aureli, Aurelio +2 more
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Medea is an ancient Greek tragedy written by Euripides, based upon the myth of Jason and Medea and first produced in 431 BC. The plot centers on the actions of Medea, a former princess of the barbarian kingdom of Colchis, and the wife of Jason.https ...
Otterbein University Theatre and Dance Department
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An imperial medea : Spain, Portugal, the Colonies
Lappin’s chapter extends the focus westwards, to the imperial Medea of Spain, Portugal, and eventually across the Atlantic to the colonies. It shows the enormous range of the representations of Medea on stage, including in puppet theatres, and lays bare ...
Lappin, Anthony John,
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Estudio mitocrítico de Los encantos de Medea de Francisco de Rojas Zorrilla: continuidades y disidencias con Eurípides [PDF]
En el teatro español de los Siglos de Oro, la escuela calderoniana reescribió varios mitos cuyas protagonistas eran las femmes fatales de la tradición clásica, como las magas griegas Medea y Circe.
Gómez Caballero, Iván
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Web archive – Medea, Malmö University, Sweden
This is an archive of the media produced by the research group Medea at Malmö University, Sweden. It includes links to audio, video, blog posts, websites etc.
Medea
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Myth in 300 Strokes
Mit v 300 taktih
This paper aims to explore the phenomenon of the opera minute which emerged from the avant-garde experimentalism after WWI; its beginner and one of the foremost masters, the French composer Darius Milhaud put three short, eight-minute operas on stage in ...
Gregor Pobežin, Igor Grdina
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Jason and the Greek Epic Hero in Light of Archetypal Criticism
Frye’s seminal work on literary criticism is used as the theoretical basis of this paper, which examines the role of Jason as the hero of the Argonautica in light of archetypal criticism. Through a close reading and analysis of the text of Apollonius’
Maria Mariola Glavan
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Medea-sorceress or woman? c. 1750 and beyond
In Lysell’s chapter, the stage presence of Medea comes to the fore, in twentieth-century productions of the versions by Euripides and Grillparzer. With specific focus on the last years of the eighteenth century, and the beginning of the nineteenth ...
Lysell, Roland,
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Just Another Angry Woman: Adaptations of Female Rage through Euripides, Shakespeare, and Whedon [PDF]
Euripides’ portrayal of Medea, Shakespeare’s dramatization of Queen Margaret, and Joss Whedon and company’s creation of Willow Rosenberg all work to depict the silencing of female emotion.
Pistone, Melissa
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